WEBVTT

1
00:00:00.001 --> 00:00:10.620
thank you. Hi, so good to see all of you old friends and and new. I just want to re acknowledge the the country. The place known as Australia comprises

2
00:00:10.780 --> 00:00:29.229
the traditional states of over 250 First Nation language groups. For nearly 50 years now Australians have increasingly formally recognized the importance of country and first nations, peoples, relationships and protocols for conducting business in country

3
00:00:29.670 --> 00:00:38.939
acknowledging country shows respect for the country and the first nation's continuing connections to Country Tasa and the Isa.

4
00:00:39.090 --> 00:00:42.750
2,023 World Congress. 2. Wish to

5
00:00:43.050 --> 00:00:48.189
which the cultural protocols to be known to all and observe the country

6
00:00:48.200 --> 00:00:59.769
we meet on in this world. Congress is called Narm. It is the home of the coolant nation. We're we're in jing, Jiwa. We're along people.

7
00:01:00.150 --> 00:01:09.450
We invite session chairs to acknowledge their sovereignty, which I am and pay their respects to elders and ancestors

8
00:01:09.730 --> 00:01:15.420
by stating the acknowledgment of the country at the start of the session.

9
00:01:15.490 --> 00:01:19.619
And I just want to say, this is great. And

10
00:01:20.190 --> 00:01:38.940
for cultural sociology, which is what we do. I I just want to add, live. And I wonder, on the political economic level what percentage of people in Congress also are, first, what we call call in Canada, first nation people, and to and and

11
00:01:38.940 --> 00:01:51.940
and and what percentage of of the country is owned, or what other kinds of reparations have been presented or done, and I don't find this completely acknowledged

12
00:01:52.070 --> 00:01:54.330
in this. But I'm just adding that

13
00:01:54.450 --> 00:02:06.109
so again, welcome and oops did I? I would now introduce. We have a number of speakers too remote.

14
00:02:06.170 --> 00:02:07.999
What did I do there? I just

15
00:02:08.770 --> 00:02:19.379
Volker Kirchberg:  could I? Could. I just mentioned to.

16
00:02:20.970 --> 00:02:30.150
And what? Thank you. Thank you. Is that it? Is that right? So, okay, can you move it over?

17
00:02:33.970 --> 00:02:35.300
Volker Kirchberg: That's better.

18
00:02:40.590 --> 00:02:51.450
You.  okay. okay.

19
00:02:58.150 --> 00:03:12.169
you could have come up and get ready. I just want to be able to introduce you, or you'll introduce yourself with the, with the material. Just so we saved the time, this parking there for a second. And do we have the the list?

20
00:03:14.470 --> 00:03:17.990
Does anyone have a hard copy of the program with them

21
00:03:18.260 --> 00:03:18.970
the

22
00:03:21.160 --> 00:03:26.890
you can choose from from her the title. You can probably find her here

23
00:03:29.300 --> 00:03:30.060
first.

24
00:03:33.270 --> 00:03:39.929
Okay. Malf, Irene Hagen, who has been with us

25
00:03:40.000 --> 00:03:55.220
Earlier in the in the Congress, and and other ones will present on sincere or cynical analyzing the public discourse on 4 controversial arts, projects in light of Irving Goffman.

26
00:03:57.760 --> 00:03:59.210
My.

27
00:03:59.830 --> 00:04:03.980
the mic is working. What about the slides?

28
00:04:04.110 --> 00:04:07.070
About the slides? I don't know.

29
00:04:07.110 --> 00:04:13.079
Is it? Did you set them up already. Yeah, does anybody know how to work the slides?

30
00:04:13.700 --> 00:04:16.029
Yesterday was a person that.

31
00:04:16.340 --> 00:04:17.010
And

32
00:04:18.240 --> 00:04:25.890
Confex Tech Support: Rachel: so you need to share the screen again. we have to stop screen sharing for the virtual presenters.

33
00:04:28.340 --> 00:04:35.950
Okay, it's here. Just

34
00:04:36.690 --> 00:04:38.660
yes.

35
00:04:41.200 --> 00:04:42.530
yeah.

36
00:04:43.890 --> 00:04:55.020
Well, no. I introduced. I think. So. I just go on to the first slide. These are 4 cases that are. It has been heavenly.

37
00:04:55.140 --> 00:04:59.759
heavily criticized and debated in Norwegian areas.

38
00:04:59.930 --> 00:05:23.330
And it's an art exhibition. Some art projects an Art Declaration and a memorial monument.  here I see how the managing teams and artists in each class relate to the critique, and, like the goofman's theory on the presentational self, because these cases have many layers, and

39
00:05:23.410 --> 00:05:29.950
I only look at one woman in a way. but I'm running about it in a book

40
00:05:30.130 --> 00:05:31.260
more deeply.

41
00:05:31.750 --> 00:05:45.909
 In his book the Presentation of Self in Everyday Life, from 1,959, Cosmon, used as a dramaturgical, persistent to describe sociologically how people perform and communicate with each other.

42
00:05:45.990 --> 00:05:53.160
He compressed the 3 roles of the theater, an actor against another, and their audience into 2 rows of the in real life.

43
00:05:53.620 --> 00:05:59.510
a performer who plays together with another with other performance. You are also observers.

44
00:06:00.070 --> 00:06:06.470
Watchman tells that women in individual plays a part. It is expected that the observers shall take.

45
00:06:06.850 --> 00:06:23.410
and the impression he or she want to give seriously, and that matters are what they appear to be when the audience is convinced about the reality of what is presented. Only sociologists or so they are less satisfied with. Have any dogs a lot of performance.

46
00:06:24.580 --> 00:06:28.900
That's why I he's in

47
00:06:29.500 --> 00:06:34.129
the performer may also try to convince his or her audience

48
00:06:34.480 --> 00:06:43.059
only as a means to other ends, without any concern of the belief on the audience. In that case the performer may be called cynical.

49
00:06:48.180 --> 00:07:01.619
If the performer appears cynical, the observer may experience the performance as false. Warsman makes clear that the cruise of sociological consideration is merely that impressions foster in everyday performances.

50
00:07:02.040 --> 00:07:03.290
To this

51
00:07:03.390 --> 00:07:14.359
we will want to know what kind of impression on reality can chapter the force foster in rational reality, and what reality really is can be left for others. To study.

52
00:07:14.420 --> 00:07:23.109
Therefore, the task of the sociologist is to ask, what are the ways in which a given impression can be discredited?

53
00:07:23.590 --> 00:07:31.069
The role of the sociologist is not to prove whether a perform is true or false, but you reveal what is thoughtful about it.

54
00:07:33.470 --> 00:07:59.299
In socio-social organizations, performers often work together in a team to solve a common problem. For example, employees in a museum, members of an art council, members of our committees or employees in the National Department. The team develops a common definition of assist direction, and the members of the team must perform in accordance with the initiative. To maintain the credibility of the team.

55
00:08:00.780 --> 00:08:06.149
A team may be supplied with new members as well as all members may lead the team

56
00:08:06.170 --> 00:08:15.689
in the 4 cases presented here, the artists also become a member of the respectedatives as long as their corporation to solve their common task lost.

57
00:08:15.860 --> 00:08:20.670
If members of the team perform in a way that I work from the definition of a situation.

58
00:08:20.790 --> 00:08:36.159
this may disrupt the performance. For example, if members of a team give individual statements that a self-contradictory or contradictory States or other members, or if the statesman in to make reliable no large facts or common ethical standards.

59
00:08:37.770 --> 00:08:58.309
The Melbourne-garde Exhibition at the Mont We same in Austria in 2,015, was controversial, due to the explicit sexualized, violent and abusive content, in, namely, on Manga's exhibits of artworks, and particularly because several of his artists were based on photographs collected on Pedophilia magazines

60
00:08:58.330 --> 00:09:10.939
distributed by the pedestrian network. Nambla, the North American Man Boy Law Association, who works for legalizing sex between boys and men such as the number of routine and made in the U.S.A.

61
00:09:11.330 --> 00:09:26.709
The exhibition created a media storm where art historians are critic, for the like people were criticizing the exhibition, claiming that Nelson is flirting this, or promoting to the feeling of sexual abuse of children in his art.

62
00:09:29.810 --> 00:09:55.379
The artists tell in a TV program a newspaper that many of the photographs that he used is in his paintings come from numbers Nova Scotia. The artists say that he is fascinated by the photographs, and on TV he joked about using them, claiming that the children did not look abused at all. The photographs are also used commercially by the artists who tend in a TV program, who? Well, these paintings sell.

63
00:09:57.750 --> 00:10:02.340
In spite of the massive critique and the statements of the artist on using the number of photographs.

64
00:10:02.710 --> 00:10:08.100
the director of the non-commissioned exhibition, by claiming that the intention of the artist

65
00:10:08.220 --> 00:10:18.909
is to conduct social criticism of the sexualization of children into less society. The fact that the artists exploit the photographs commercially contradicts

66
00:10:18.980 --> 00:10:30.230
the assertion of the director. Several critics planned that the exhibition should have an edge limit, while the director kept claiming that artworks were important also for children, and

67
00:10:31.970 --> 00:10:35.570
similarly the correct or claim that the exhibition represent.

68
00:10:35.850 --> 00:10:41.489
There are social criticism raising important questions on sexuality, gender, and other issues

69
00:10:43.970 --> 00:10:58.579
between 20. The next case Wendy, Leon and Santi, and the Norwegian artist, Martin Tanovic, arranged a series of performative park projects in North Korea and Norway by using North Korean artists and physicians in public performance. In both countries

70
00:10:59.010 --> 00:11:09.830
the artist is controversial because his projects demand collaboration with the North Korean culture authorities, and of course art comes in. Norway has given big grants to the artists for this project.

71
00:11:10.340 --> 00:11:13.029
3.5 million Norwegian crown are in

72
00:11:13.040 --> 00:11:24.519
in 2,013 and 10.5 million in the 1,000, 901,000, 901,901, which means around 2 billion Australian dollars.

73
00:11:26.620 --> 00:11:29.389
I him only one to percent. Some of the

74
00:11:31.950 --> 00:11:39.660
in 2,011. Their artists arranged a concert in Pyongyang, where North Korea and music students were playing our house capable.

75
00:11:39.710 --> 00:11:54.070
In 22 to 12 the artist presented the pictorial game mealy at the very spectacular session of gifting as Northern Norway, where 256 person become living pixels to create images.

76
00:11:54.160 --> 00:12:00.419
I see in the North Korean Academy and Festivals. The performance was led by a North Korean annual, and in its first.

77
00:12:00.640 --> 00:12:07.199
in 2,013 he presented the art project, where he called Jess as a star festival at Runtime

78
00:12:07.300 --> 00:12:08.540
Regulation

79
00:12:08.740 --> 00:12:12.760
with foreign countries, together with a group of Norwegian youths that play

80
00:12:13.430 --> 00:12:22.130
a performance about life in North Korea and Norway. At the end of the performance the audience should walk, walk on which country was the best to grow. Often

81
00:12:22.340 --> 00:12:23.929
in 2,014.

82
00:12:25.310 --> 00:12:26.330
I'm sorry.

83
00:12:27.230 --> 00:12:39.489
In 2,014 the artist arranged a musical cardi-mong, Miyong at a Bergen international festival with Middle School students from North Korea based on a below Norwegian play for children.

84
00:12:40.010 --> 00:12:41.190
The artist

85
00:12:42.500 --> 00:13:02.610
Admit that his North Korea projects have ironical undertones during the work in progress performance. He said that the performance appear as advanced madness because it is so over the top. He also said that the North Korean censorship authorities are no problem as long as you do not make crazy sketch about them.

86
00:13:02.970 --> 00:13:10.400
To the critics he said that I disagree with the hypocriticals. Not so for humanism, where everybody criticized North Korea.

87
00:13:10.460 --> 00:13:25.969
Seemingly the artist also neglect the repressing features of the North Korea lurid Shima described in several UN. Reports. Former prisoners in North Korea and concentration camps claim that the artist is a useful, useful idiot for the North Korean Rashima

88
00:13:28.940 --> 00:13:47.690
in in 2,013. The leader of the art comes in. Nova says that the artist was reported due to the freedom of expression and the Orkans's reason for giving the grant in 2,014 was that the artistic career of modern throat is both outstanding and challenging. He has developed an artistic practice that he calls hypertes.

89
00:13:47.840 --> 00:13:53.959
Yeah, I can't then read the whole thing. So you just have to move on because it's had. I have so much information

90
00:13:55.030 --> 00:14:00.720
in 2,010, and the art decoration of the Novi. That's a third case.

91
00:14:00.730 --> 00:14:03.130
The Norwegian artists on the suburb.

92
00:14:03.290 --> 00:14:27.549
4 monumental paintings were commissioned to decorate a lobby of Press Room of the Department of Health and Care Service and the Government building complex in Oslo. However, after the July 20Â s terror in 2,011, when 8 people were killed and 200 wounded in the terror attack against a government building. Employees experienced that the motives of the paintings remind them about the July's 30Â s terror.

93
00:14:27.630 --> 00:14:48.430
The paintings. They pick, white papers flying, a road, flying buildings, flying desks, and bureau with open drawers. People were lying on the groan and the skeleton. In respect of the employees, it was decided not to install the paintings in the department. The decision created a big media store where many art critics and artists engaged in the public debate

94
00:14:48.490 --> 00:14:50.970
claiming this meant art, censorship.

95
00:14:54.860 --> 00:15:02.949
The National Department of Art in public space was responsible for implementing the art decorations.

96
00:15:03.060 --> 00:15:08.169
and the the process demanded cooperation between the art committee

97
00:15:08.410 --> 00:15:13.969
by the department representatives of the Department of Health and the artist.

98
00:15:14.220 --> 00:15:32.540
and from the paintings were commissioned until they were implemented in their definition of the situation. The motives of the paintings depict scenes from all Norwegian theatres by refusing them. The Department disrupted the performance by signaling internal conflicts within the collaborating team.

99
00:15:32.750 --> 00:15:39.240
The director of Kuro said that so much see it as a line they are reading of July 20Â s. But it isn't.

100
00:15:39.300 --> 00:15:42.419
The artwork is typical for Vanessa Beard

101
00:15:42.930 --> 00:15:45.670
as such. I can't read it all. I'm sorry

102
00:15:45.930 --> 00:15:49.290
we have about 6Â min. Oh.

103
00:15:49.520 --> 00:15:52.210
and

104
00:15:52.380 --> 00:15:56.929
I think I am just going to jump to the last.

105
00:15:57.010 --> 00:15:59.870
Okay.

106
00:16:00.070 --> 00:16:02.449
case 4.

107
00:16:02.740 --> 00:16:21.390
On July 2,011. One single terrorist attacked the Norwegian Gormans building complex in Austria. The bomb that killed 8. I said it already, and they also attacked the Labour Party's youth organisation somewhere camp at Utah Island, where he shot and killed 69 people and injured 66.

108
00:16:21.620 --> 00:16:28.240
At the end of 2,011 the Norwegian Government decided to create a memorial moment for each of the 2 Terracides

109
00:16:28.800 --> 00:16:36.469
an art competition was arranged, and the winner project created by the Swedish artist, Jonas Dalberg, was unknown since February, the twentieth 14.

110
00:16:36.560 --> 00:16:45.760
He is a monument for Utah Island, called Memory. Wound was shaped like a sharp 3 meter broadcut in the edge of the of a headland at the land side of the Utah.

111
00:16:45.790 --> 00:16:51.860
The name so 69 youths and adults who were killed at Utah was planned to be in grade in the after wall of the cut.

112
00:16:52.130 --> 00:16:58.349
while a room with a window where people can enter and look at the names on the older side of the curtain's plan to be installed

113
00:16:58.370 --> 00:17:06.329
in the land part of the moment. Most artists and orquitists were enthusiastic about the memory world at first.

114
00:17:07.380 --> 00:17:19.310
but soon it the winning. The proposal created greater assistance, particularly from neighbors at the land side of Utah. We were among the first to

115
00:17:19.350 --> 00:17:23.179
well entirely started to rescue youth swimming against the lands.

116
00:17:23.370 --> 00:17:39.730
There were 2 reasons for this. They were not included in the process of planning and implementing the monument, because many of them were traumatized. They also experienced a monument as an open wound that would remind them about the terror every day of the future in the future

117
00:17:39.850 --> 00:18:00.290
the the minister of Local government, who had the superior responsibility for the memorial order of psychiatric report to map potential and health consequences for the neighbor, and it concluded that I already suffer and will continue to suffer because of this. It was actually cancelled

118
00:18:00.530 --> 00:18:04.840
after many meetings, and so on. but not here

119
00:18:04.870 --> 00:18:15.409
the cooperating teams here, in the fall of 2,011, the First Art Committee was appointed to start planning the memorial monuments.

120
00:18:15.740 --> 00:18:36.020
And in so 13, the planning was handed over to, and a new Art Committee, who was also the union of the art Competition in light of Government art committees were teams cooperating to solve the same task until the memorial was implemented. The artist was also a member of the cooperating team.

121
00:18:36.510 --> 00:18:46.290
It shows up that there is a situation different. The first outcome myth here describe the task in positive terms.

122
00:18:46.340 --> 00:18:53.249
The community do not like to reinforce and extend the local identity connected to the cruel cruelties at Utah.

123
00:18:53.300 --> 00:19:00.870
Instead, I would like a meeting point that symbolized the engagement humanity and war that was mobilized in the dramatic taste of July

124
00:19:01.090 --> 00:19:09.159
2011. They also emphasized the importance of selecting a monument that would be comforting, positive, and forward, forward oriented.

125
00:19:09.200 --> 00:19:27.299
Their goal was that a memorial monument should be a place for silence, intimacy, and collectivity, a place to remember and honor the dead wounded with curious rescuers, pointing forward, a lifting, lifting of values, such as openness, law, and democracy, etc. Etc.

126
00:19:27.810 --> 00:19:37.829
 I can't really do. But I just. I'm going to the conclusion very very soon, because the second Art Committee.

127
00:19:37.900 --> 00:19:58.310
where tells a more negative terms to Norwegian T. That in Dolberg's proposal we see a confront in grass that relates to the cruelty at Utah. It makes a cut in the Norwegian nature blah blah blah, and it is a confronting aesthetics that respect

128
00:19:58.310 --> 00:20:08.559
to the experience of the brutality at. So they were kind of talking about this in a very negative way. The second part.

129
00:20:08.810 --> 00:20:15.610
and while the artists were talking about the loss. the the

130
00:20:15.880 --> 00:20:19.470
monument should should become a quite a crack.

131
00:20:19.580 --> 00:20:22.120
and

132
00:20:23.190 --> 00:20:44.410
It should be difficult to grasp the beauty of the native. We don't experience the notional loss, so it he was not talking.

133
00:20:45.260 --> 00:20:47.039
I really struggled to

134
00:20:47.260 --> 00:20:49.319
shrink it down, but

135
00:20:50.450 --> 00:21:02.710
By comparing the for the case, it it impers that in case 1, 2 and 4 contradictory and self-contradictory statements, but centered in the media by team members disrupt the performance of the teams.

136
00:21:02.880 --> 00:21:18.389
Case one and 2 are most similar due to the economical and personal profit in each of the 2 cases, in case one, the economical prophet of the artist and the museum, and the personal prophet of the director in Korea are appearing as social critics

137
00:21:18.410 --> 00:21:34.160
in case 2 Dec. An economical prophet of the artist and the personal prophet or members of the art concert appearing as defenders of the freedom of expression in case for the way the second Art Committee described a memory, one was contradictory to the discrepancy.

138
00:21:34.300 --> 00:21:37.309
Sorry description of the first Art Committee.

139
00:21:37.890 --> 00:21:56.780
the the CSIRO, economical or personal profit, may also make team members appear cynical. It may also have contributed to create or increase controversies around each case, and the resistance, in case 4 or the team may appear cynical for excluding the neighbors.

140
00:21:56.790 --> 00:22:05.210
Case 3. Diverse merch most among the 4 cases as team members, their performance inside of the team.

141
00:22:05.370 --> 00:22:10.470
However, it's difficult to claim that the team members the in the case 3 appear

142
00:22:10.480 --> 00:22:15.730
cynical, as they seemingly had no economical or personal profit to gain.

143
00:22:15.880 --> 00:22:18.560
So I'm going to the very last

144
00:22:19.040 --> 00:22:44.189
 analyzing and comparing the 4 cases in light of Goffman, show that when collaborating team members perform and give contradictory statements or statements that diverge from their definition of the situation, as well as of the definition of the situation is self-contradictory that disrupt their performance and contribute to shatter the impression of reality presented by the team.

145
00:22:44.190 --> 00:23:00.079
and they also see motivated by economical or personal profit. This make them appear cynical, and these factors may also contribute, probably to have created the critique and the controversy. And controversies and media events.

146
00:23:00.580 --> 00:23:02.479
So

147
00:23:03.110 --> 00:23:10.450
thank you for listening. A very rather stressful presentation, I'm afraid, but it was so difficult to

148
00:23:10.720 --> 00:23:14.010
make it smaller. Yeah.

149
00:23:14.420 --> 00:23:15.130
huh?

150
00:23:16.420 --> 00:23:17.880
Yeah, okay.

151
00:23:23.940 --> 00:23:36.070
thank you very much. We've decided to hold questions to the end, and maybe we can aggregate them. And and now we go to

152
00:23:36.860 --> 00:23:38.180
warm

153
00:23:38.490 --> 00:23:40.990
Brazil.

154
00:23:41.710 --> 00:23:45.049
So it's a change. I can throw away my parka

155
00:23:45.110 --> 00:23:56.470
and Anna Lucia de Fertostacciera will speak on the interpretive challenge posed by the new peripheral literatures. The Brazilian case.

156
00:23:58.550 --> 00:24:01.850
Ana Lucia Teixeira: Okay, so you are listening to me, it's

157
00:24:03.180 --> 00:24:07.399
Ana Lucia Teixeira: the the only one that I can see. It's okay. So it's working.

158
00:24:07.710 --> 00:24:16.990
Ana Lucia Teixeira: Okay. So thank you very much. Good morning to everyone. Good morning, even to folk who is in the middle of

159
00:24:17.420 --> 00:24:22.570
Ana Lucia Teixeira: of the night. But it's going to be morning very soon. Here is 10 P. M.

160
00:24:22.780 --> 00:24:45.710
Ana Lucia Teixeira: we. It's it's to Tuesday, and I really would like to be there with you, and when I see you in the cameras, and I can hear your voices. I regret even more to it. Possibility to be there. I'm really sorry. Well, I'm I'm good directory to the, to the text, because time is very, very precious.

161
00:24:46.110 --> 00:24:53.590
Ana Lucia Teixeira: Well. as we all know, the nation is a category, and more than that, a problem of the nineteenth century

162
00:24:53.610 --> 00:24:57.579
Ana Lucia Teixeira: is at that moment, and not only in European territory.

163
00:24:57.620 --> 00:25:11.190
Ana Lucia Teixeira: it that it's meaning is dissociated from that of provides kingdom goods, corporations it needs to, and etc. Minutes to which it alluded to them.

164
00:25:11.370 --> 00:25:23.640
Ana Lucia Teixeira: The moderate sense of this category results from a competition of factors of various orders that are often mobilized also to formulate the notion of modernity.

165
00:25:23.710 --> 00:25:30.020
Ana Lucia Teixeira: so that we can assume that the Category Nation is there for a modern category.

166
00:25:30.260 --> 00:25:35.270
Ana Lucia Teixeira: Let us look at the different social layers from which it's constituted.

167
00:25:35.360 --> 00:25:48.889
Ana Lucia Teixeira: Firstly, it is sympathetic to the maturing of economic Liberalism. although from a theoretical point of view, Liberals did not have the conception of nation, and even its meaning

168
00:25:48.930 --> 00:26:13.949
Ana Lucia Teixeira: in the title of Adam Smith's work does not go beyond the sense of territoriality in practice, as hopesbound, points out, the liberal economy, benefits, and Liberals knew it from the existence. And now I'm quoting the existence of States with a monopoly of money, with public finance, and therefore with fiscal activities and policies.

169
00:26:14.630 --> 00:26:26.860
Ana Lucia Teixeira: This is the end of the quote from a political point of view. The nineteenth century also marks the confluence of meaning of the terms people and nation with the term State

170
00:26:27.290 --> 00:26:42.780
Ana Lucia Teixeira: Still with Hobbesbound, the nation was thus regarded as the body of citizens whose collective sovereignity constituted them as a state considered as its political expression. This is the end of the quote.

171
00:26:43.480 --> 00:26:54.440
Ana Lucia Teixeira: It is at that moment that the States would be taken as the political form of the nation, although, of course, it could not entirely recapture it everywhere, not even in Europe.

172
00:26:54.700 --> 00:27:06.510
Ana Lucia Teixeira: especially Eastern Europe of the nineteenth and the twentieth centuries, as Han hadn't pointed out when exploring the problems faced by stateless peoples and nations

173
00:27:07.080 --> 00:27:27.670
Ana Lucia Teixeira: from the point of view of culture which most directly interest. This is here the emergence of the nation, as the analytically effective category manifestes itself fundamentally through the development of a status attentive to the genuine and traditional themes and forms of peoples

174
00:27:28.190 --> 00:27:39.269
Ana Lucia Teixeira: explore the number of cases to demonstrate how the art world becomes involved in the development of the nation. The national issue.

175
00:27:39.310 --> 00:27:51.470
Ana Lucia Teixeira: So that and now I'm quoting a new theory of culture is formulated in a way that makes it possible to place the national as the creative principle of modernity. One.

176
00:27:51.520 --> 00:27:53.569
Ana Lucia Teixeira: This is the end of the quoting.

177
00:27:54.180 --> 00:28:20.499
Ana Lucia Teixeira: This process involves a selective work of collecting in the past those who would be taken as the true ancestors, those who would have left a legacy by which one defines what should be considered national, what is proper of a people. The sub-statroom, whose exultation would give it autonomy and take it out of a regime of cultural submission.

178
00:28:21.030 --> 00:28:33.899
Ana Lucia Teixeira: In this movement I'm quoting Ts. Again, the ethnographic procedure appears then, as a Privileged Access route for the archaeology of the National and of the quote.

179
00:28:34.210 --> 00:28:42.279
Ana Lucia Teixeira: Here popular culture gains the strategic importance in the the limitation of what is proper of a given people.

180
00:28:42.410 --> 00:28:54.639
Ana Lucia Teixeira: The people by its primitive is, she says, is a living fossil that keeps to the core of modernity the spirit of the great ancestors. The end of the quotation

181
00:28:54.890 --> 00:29:12.329
Ana Lucia Teixeira: in the set of cultural expressions literature becomes the great vector of national genius of the Scottish genius. The Welsh genius, Bavarian genius, hell vest in genius, Tyrolean genius, and Brazil engineers as well

182
00:29:12.420 --> 00:29:23.129
Ana Lucia Teixeira: mit Ctl, and in this contest the valeration of the national language, or the national accent of shared language contaminates critically all European literature outside French, 150

183
00:29:23.590 --> 00:29:31.379
Ana Lucia Teixeira: in a process evolving the valeration of the local color against what appear as a French imperialism of culture

184
00:29:31.610 --> 00:29:49.439
Ana Lucia Teixeira: in the specific case of Brazil. It's fundamental to point out, especially after modernism. I strong articulation between the literary canon, that privilege, the key of nationality, and the project of access to modernity that would occur through culture.

185
00:29:49.830 --> 00:29:51.940
Ana Lucia Teixeira: the work of selecting

186
00:29:52.240 --> 00:30:17.470
Ana Lucia Teixeira: and the reaffirming the works that would constitute the cannon is carried out by different over Latin instance, sometimes in conflict, literary production, the visual arts, literary recruits and quizzes as well. historiography and sociology in the production of the readings of the so called interpretations of Brazil.

187
00:30:17.920 --> 00:30:34.670
Ana Lucia Teixeira: The points of interested in of my presentation is to highlight the role of literary criticism in the systematic and repeated affirmation of the nationality as a central attributed of the production of modernist literature in Brazil, one

188
00:30:35.100 --> 00:30:48.209
Ana Lucia Teixeira: mit Ctl. And among this critics the most important is, and outly Antonio Kennedy, who, in 1,959, published for Ma Som de Litratura Brazil. It's formation of the Brazilian researcher, one

189
00:30:48.590 --> 00:31:01.199
Ana Lucia Teixeira: considered by many to his. This work has a decisive impact on the definition of the canon, not only of the modernists, but of all previous movements

190
00:31:01.310 --> 00:31:25.169
Ana Lucia Teixeira: his methodological choices include the definition of what he called integrative criticis. That is, a proposition of a method structured in the dialectic dialected time between the formal elements of the text and it's historical sociological framework, without, however, considering that one can migrate to in

191
00:31:25.450 --> 00:31:46.569
Ana Lucia Teixeira: that one can migrate in a theoretical and mediated way from one instance to another in very brief terms, it's possible to say that develops a theoretical political project whose clear list claim is the right of a young people and a young country to have their own literature.

192
00:31:47.319 --> 00:31:51.169
Ana Lucia Teixeira: The fatality of the modernist project that soft

193
00:31:51.260 --> 00:32:17.539
Ana Lucia Teixeira: the to produce. genuinely national literature, woven from the threads of residue. Popular culture in the roof is reflected in the theoretical production of Canada as the search for the historical link between different moments works, authors who would have given their share to the construction of his theoretical entity. That is the Brazilian literature.

194
00:32:17.930 --> 00:32:21.300
Ana Lucia Teixeira: This project reveals an inequality.

195
00:32:21.740 --> 00:32:32.370
Ana Lucia Teixeira: Of course there are nations that have and those that do not have, a production that deserve the qualification of literary. And this project hides us struggle

196
00:32:32.460 --> 00:32:50.739
Ana Lucia Teixeira: mit Ctl. And through our process of excavation of the production of Brazilian authors, it comes to the formulation of a properly national literature, and with that it is a firm, it to a country of few literates the right to possess not only a literature, but a narrow did 1 1

197
00:32:51.420 --> 00:32:55.320
Ana Lucia Teixeira: a little over half a center. A century later

198
00:32:55.610 --> 00:33:05.770
Ana Lucia Teixeira: cultural movements are gaining strength and have remain in silence that have a remain in silence and under the banner of national literature.

199
00:33:05.870 --> 00:33:12.170
Ana Lucia Teixeira: a countless number of voices that have been lacked to spaces in institutionalize it. Culture.

200
00:33:12.290 --> 00:33:21.549
Ana Lucia Teixeira: the affirmation of the terms, such as Brazilian and national, are configured as a total as as a totality which.

201
00:33:21.920 --> 00:33:38.070
Ana Lucia Teixeira: although internally heterogeneous, does not allow us to hear those voices which at this moment are crying to be heard. I'm talking about a literature, produce it in the outskirts of the large cities that cannot be thought of.

202
00:33:38.070 --> 00:33:52.930
Ana Lucia Teixeira: In isolation for movements of political participation, of wider interest which have given art in general, and literature in particular, the status of a vehicle from insertation into the political world. One.

203
00:33:53.200 --> 00:34:00.199
Ana Lucia Teixeira: I'm talking about very recent productions around which kept producing around.

204
00:34:00.700 --> 00:34:22.529
Ana Lucia Teixeira: We've captured it. Captive publics have been created, specialize it. Publishing houses responsible for the circulation of their publications, well established suites which serve as a space for the segmentation of a community that thinks of literature in a way that is necessarily connected to the politics

205
00:34:22.610 --> 00:34:37.140
Ana Lucia Teixeira: mit Ctl. And making up a movement that in one and the same jester claims rights, participation, and political relevance, and offers, and a Statsky modulation to the struggle through which it defines its social place. 2.

206
00:34:37.490 --> 00:34:50.730
Ana Lucia Teixeira: We are here before a movement that seeks to give legend, legitibility to a condition of violent inequality easily perceptible to those who cross the metropolis. It is.

207
00:34:51.190 --> 00:35:01.209
Ana Lucia Teixeira: It is an inequality that is perhaps easier to see than to read, but it finds in this artist a restless work of translation

208
00:35:01.210 --> 00:35:23.200
Ana Lucia Teixeira: in the theme of nationality, revealed, of a relation of external inequality established between cultures that possess literature and cultures that are denied this possibility, what peripheral literature bring us into focus our relations of internal inequality, especially visible in the metropolitan regions. One.

209
00:35:23.240 --> 00:35:35.649
Ana Lucia Teixeira: by highlighting this problem they eliminated another one the artificial homogeneity that may receive in the in the idea, or in the project of the national.

210
00:35:36.050 --> 00:35:42.060
Ana Lucia Teixeira: after all, by defending the national criterion as the defendant, the weakest poll.

211
00:35:42.930 --> 00:35:47.630
Ana Lucia Teixeira: as if defend and the weakest poll of an unequal relationship.

212
00:35:47.910 --> 00:36:02.279
Ana Lucia Teixeira: Mit Ctl. And those who do so overlook the fact that the national is internally Fischer, and that is certainly not the weakest segments within the national within the nation that will be authorized to speak on its behalf. 150

213
00:36:02.570 --> 00:36:27.480
Ana Lucia Teixeira: instead of the nation. This literature will often contribute to the construction of groups coming from other clippings, the periphery, the neighborhood, the different spaces of exclusion. It seems interesting to me to consider that this type of culture movements helps to amalgamate the community in the terms that and Sierra thinks of the concept in politic

214
00:36:27.570 --> 00:36:46.739
Ana Lucia Teixeira: in this work, presents a conception of writing that. And I'm quoting before being the exercise of a competence. The act of writing is a way of occupying the sensible and given meaning to this occupation. This is the end of the the quotation.

215
00:36:47.140 --> 00:36:58.969
Ana Lucia Teixeira:  mit ctl, and it is the sensible that shapes the community, and therefore the act of writing is central to the construction of the community, and has an intrinsic political meaning. One

216
00:36:59.430 --> 00:37:05.199
Ana Lucia Teixeira: writing in this sense is the jester that separates the

217
00:37:05.360 --> 00:37:16.219
Ana Lucia Teixeira: mit ctl, and from the enunciator, making the word orphan in his terms. In doing so it shuffles its pedagogy. In other words, the explanation that leads 2

218
00:37:16.800 --> 00:37:23.079
Ana Lucia Teixeira: the word to its legitimate destination. It's intended destination.

219
00:37:23.160 --> 00:37:35.649
Ana Lucia Teixeira: It shuffles the intended destination of the enunciate in Oct. Thus causing a theoretical disturbance. This theoretical disturbance of writing has here calls democracy.

220
00:37:35.760 --> 00:37:46.009
Ana Lucia Teixeira: The democracy is thus considered, not as a regime of government, but as a regime of writing a politically invested conception of writing

221
00:37:46.470 --> 00:38:06.210
Ana Lucia Teixeira: this way of conceiving writing, especially relevant to highlight the production of the Brazilian peripheries because it offers instruments to think of this artist also as agents of a social community whose works allows the insertion of part of the life of the periphery of the city, such as so Paulo.

222
00:38:06.460 --> 00:38:18.439
Ana Lucia Teixeira: on the space of the sensible. And this jester, apart from all the just political claims that they also make, is already in itself fundamentally political.

223
00:38:19.160 --> 00:38:20.689
Ana Lucia Teixeira: What we see there.

224
00:38:22.290 --> 00:38:23.280
Ana Lucia Teixeira: A pardon.

225
00:38:25.650 --> 00:38:31.170
Ana Lucia Teixeira: How many minutes? 5Â min. Okay, 5Â min. Okay, okay. I will finish before that.

226
00:38:31.590 --> 00:38:46.340
Ana Lucia Teixeira: What we see there for is a commitment to a reversal of a historical game, of exclusions expressed in the possibilities of a reason to the literary level aspects of life that were previously uncognizable.

227
00:38:46.360 --> 00:39:06.820
Ana Lucia Teixeira: and that's in in that position. This implies a clear claim of this position at the level of artistic expression. Of course, the terms in which they struggle for the recognition of the literary production of a country like Brazil took place have changed since the middle of the last century.

228
00:39:06.820 --> 00:39:20.129
Ana Lucia Teixeira: Categories, like nation and nationality no longer seem to account for the elements that's stake, but the idea that the symbolic dimension is a space in dispute remains pertinent.

229
00:39:20.220 --> 00:39:23.620
Ana Lucia Teixeira: Hose arrangements transform over time.

230
00:39:23.660 --> 00:39:34.520
Ana Lucia Teixeira: transform it over time, but continue to manifest themselves in terms of confrontation, stratification, and dispute. Thank you very much. Thank you for.

231
00:39:34.670 --> 00:39:35.900
Ana Lucia Teixeira: But listen to me. Thank you.

232
00:39:49.310 --> 00:39:53.079
Thank you, Anna, for that fascinating talk again.

233
00:39:53.090 --> 00:39:57.280
We'll aggregate our questions later. Our next.

234
00:39:57.340 --> 00:40:09.319
The speaker is Aisa Kurtoglu, from the Assidiban Mehmet Ali Ayadnar University in Turkey, and she will be

235
00:40:09.360 --> 00:40:17.949
presenting on reading democracy, reading Democracy in Turkey through political approaches to music.

236
00:40:25.630 --> 00:40:26.640
Hello!

237
00:40:27.180 --> 00:40:30.070
I I would like to thank the

238
00:40:30.340 --> 00:40:33.399
chair for the excellent.

239
00:40:33.770 --> 00:40:38.880
the beginning of the session. It was very

240
00:40:39.120 --> 00:40:40.140
caring.

241
00:40:40.590 --> 00:40:42.639
opening. Thank you very much.

242
00:40:42.730 --> 00:40:50.919
and I welcome all the audience first.  I should share this screen.

243
00:41:04.770 --> 00:41:05.820
I cannot

244
00:41:07.250 --> 00:41:12.060
what we brought on this, because this is the for my.

245
00:41:13.510 --> 00:41:16.830
okay. But how

246
00:41:17.640 --> 00:41:19.290
you

247
00:41:20.560 --> 00:41:23.110
I like this. Oh, I did.

248
00:41:23.130 --> 00:41:28.010
You were the one, this one, that's what. Yes.

249
00:41:28.350 --> 00:41:29.710
what is it? Now?

250
00:41:31.840 --> 00:41:35.700
It's not there. Okay, it's coming. It's coming.

251
00:41:41.080 --> 00:41:41.880
Okay.

252
00:41:46.410 --> 00:41:47.090
And

253
00:41:47.790 --> 00:41:52.919
I'm I'm presenting this paper on behalf of also.

254
00:41:53.370 --> 00:41:56.500
as gosh to us.

255
00:41:56.810 --> 00:42:01.860
 First, I'd like to explain

256
00:42:02.420 --> 00:42:06.019
by and how we came to

257
00:42:06.160 --> 00:42:08.800
 Jupiter

258
00:42:08.940 --> 00:42:12.940
this presentation, or study this

259
00:42:13.040 --> 00:42:15.090
subject.

260
00:42:15.130 --> 00:42:18.789
There was a kind of coincidence

261
00:42:18.930 --> 00:42:21.070
between 2 things.

262
00:42:21.100 --> 00:42:27.200
This incidence happened in Ankara.

263
00:42:27.370 --> 00:42:31.779
In Turkey. A musician was murdered

264
00:42:31.830 --> 00:42:35.639
because of what's called request. So

265
00:42:35.720 --> 00:42:39.810
he was working in this pub singing.

266
00:42:39.860 --> 00:42:51.210
and after his performance he was just entertaining with his friends, and there were 3 other guys with 2 women.

267
00:42:51.300 --> 00:42:52.330
the.

268
00:42:53.130 --> 00:42:56.229
and they wanted him to sing

269
00:42:56.420 --> 00:42:58.779
a song that they wanted.

270
00:42:59.140 --> 00:43:04.890
and he refused because his program was over

271
00:43:05.090 --> 00:43:07.060
did not kick them out.

272
00:43:07.450 --> 00:43:12.329
Just keep them there, anyway, after you refuse

273
00:43:12.660 --> 00:43:18.900
this request. Then they killed him by using class.

274
00:43:19.320 --> 00:43:21.239
Go to glass just

275
00:43:22.420 --> 00:43:27.329
 pushed onto the neck, or whatever.

276
00:43:27.510 --> 00:43:31.630
I don't know the details. It was a very

277
00:43:32.290 --> 00:43:33.180
said.

278
00:43:33.530 --> 00:43:39.699
and shocking incidents. and it happened on the second door.

279
00:43:40.340 --> 00:43:44.009
October the day after

280
00:43:44.180 --> 00:43:48.089
the announcement, I O. As a call for papers or

281
00:43:48.170 --> 00:43:56.930
sessions that came out. And actually I saw the I saw them. Hmm

282
00:44:00.250 --> 00:44:02.150
announcement of this session

283
00:44:02.200 --> 00:44:11.870
and this friend of mine and myself. We said we should do something, and this is a very good

284
00:44:11.910 --> 00:44:15.210
context for us to initiate the work.

285
00:44:15.520 --> 00:44:27.830
because the story goes on. He was the father of 2 kids. One is a biological biological child, and the other one is adopted.

286
00:44:28.200 --> 00:44:34.539
Child. the prince's child. The friend passed away, and he adopted the

287
00:44:34.920 --> 00:44:37.470
child. and then

288
00:44:38.300 --> 00:44:41.430
actually the circles and the

289
00:44:41.530 --> 00:44:46.029
circles of musicians gave a strong reaction to this incidence.

290
00:44:46.300 --> 00:44:48.350
and mobilized.

291
00:44:48.380 --> 00:44:51.140
and one singer.

292
00:44:51.610 --> 00:44:57.390
the silicon, and made also identities of these 2 guys.

293
00:44:57.670 --> 00:44:59.530
3 guys, in fact.

294
00:44:59.720 --> 00:45:04.110
reveal the identities, 2 of them.

295
00:45:10.170 --> 00:45:18.429
all of them work for the state that 2 of them are. And in a way they are they were. They were located at hypothesis.

296
00:45:18.590 --> 00:45:21.969
which is very shocking as well because

297
00:45:23.220 --> 00:45:23.990
a

298
00:45:24.440 --> 00:45:28.309
we don't remember in a similar event in the past.

299
00:45:28.330 --> 00:45:31.410
It's a new development on the part of the

300
00:45:31.510 --> 00:45:36.729
State culture or people working in this

301
00:45:37.050 --> 00:45:38.850
State institutions.

302
00:45:39.700 --> 00:45:42.980
The guide

303
00:45:43.160 --> 00:45:44.520
his

304
00:45:44.800 --> 00:45:52.069
in the past 5 years he's identified by people as the most trustworthy

305
00:45:53.440 --> 00:45:55.510
institution in Turkey.

306
00:45:55.730 --> 00:45:58.689
that was an earthquake. Some months ago

307
00:45:58.730 --> 00:46:05.219
people donated money to this

308
00:46:05.840 --> 00:46:07.709
group.

309
00:46:07.870 --> 00:46:16.559
 instead of State institutions. Many people did so because they trust this guy more than the state.

310
00:46:16.990 --> 00:46:20.740
So this this kind of information is is

311
00:46:22.770 --> 00:46:24.350
important.

312
00:46:24.560 --> 00:46:29.009
So. We considered this incidence as the

313
00:46:29.490 --> 00:46:31.700
development of a kind of

314
00:46:31.750 --> 00:46:34.750
lamp and culture

315
00:46:34.860 --> 00:46:36.770
in bourgeois classes.

316
00:46:41.370 --> 00:46:50.740
 Then we initiated some work. Then we identified some abstracts.

317
00:46:50.800 --> 00:47:00.690
because we know that many, many cultural activities, artistic activities have been cancelled, banned, etc.

318
00:47:00.850 --> 00:47:01.790
And

319
00:47:02.390 --> 00:47:11.789
festivals. It's also on the list. it's a kind of. There's a kind of repression over artistic activities

320
00:47:11.940 --> 00:47:14.070
and artists. In Turkey.

321
00:47:14.650 --> 00:47:18.230
 there is one report

322
00:47:18.440 --> 00:47:27.820
produced by the main opposition party. It. The title reads as do not write, do not play, don't do not speak

323
00:47:28.490 --> 00:47:43.850
 The central report, the first one is started in to 2,015, which is actually a turning point in historically

324
00:47:43.870 --> 00:47:45.390
a turning point.

325
00:47:45.610 --> 00:47:49.179
in our our understanding.

326
00:47:50.360 --> 00:47:59.060
I'll give you some examples.  there are the

327
00:48:00.350 --> 00:48:01.510
hmm.

328
00:48:02.330 --> 00:48:10.270
Censorships on. Various activities listed in the report. You can see them

329
00:48:11.300 --> 00:48:12.900
several.

330
00:48:13.160 --> 00:48:16.690
categories, I will. So you

331
00:48:16.840 --> 00:48:19.349
the first one. But it includes

332
00:48:19.570 --> 00:48:22.180
I don't know if you can read

333
00:48:22.570 --> 00:48:24.260
and well.

334
00:48:24.350 --> 00:48:28.290
but the documentary movies, for instance, were banned

335
00:48:28.480 --> 00:48:30.860
from screening

336
00:48:32.550 --> 00:48:35.940
through reviving an old ballo.

337
00:48:36.000 --> 00:48:37.770
saying that they have to be

338
00:48:37.790 --> 00:48:40.839
registered on having certificate

339
00:48:41.460 --> 00:48:42.320
the

340
00:48:43.090 --> 00:48:47.290
well, many movies are

341
00:48:47.660 --> 00:48:51.010
not seen or banned, censored

342
00:48:51.550 --> 00:48:58.750
in 2,015. According to this report.

343
00:48:58.820 --> 00:49:03.910
actually the state of exception and abundance.

344
00:49:04.080 --> 00:49:04.860
That

345
00:49:05.070 --> 00:49:11.519
 work indicates. What normal is this

346
00:49:11.810 --> 00:49:15.349
COVID-19 measures indicate also

347
00:49:15.420 --> 00:49:19.260
what normal is. There has been

348
00:49:19.610 --> 00:49:20.630
then on

349
00:49:22.430 --> 00:49:26.200
for consumption of alcohol

350
00:49:26.440 --> 00:49:27.970
during this.

351
00:49:28.340 --> 00:49:29.080
that

352
00:49:29.520 --> 00:49:31.170
academic

353
00:49:32.010 --> 00:49:32.840
okay.

354
00:49:33.160 --> 00:49:37.710
measures out this period. And also

355
00:49:39.620 --> 00:49:41.739
let me don't music

356
00:49:41.980 --> 00:49:45.009
because it's treated as

357
00:49:45.410 --> 00:49:46.560
noise.

358
00:49:47.380 --> 00:49:51.120
and this a source of disturbance

359
00:49:51.140 --> 00:49:54.410
and all musical

360
00:49:54.680 --> 00:50:00.029
activities has to stop at 10100'clock or so.

361
00:50:00.450 --> 00:50:08.130
and this this band will be lifted on the first door July this year. It may be a date.

362
00:50:08.540 --> 00:50:14.220
All the measures are gone, but the music ban on music continues.

363
00:50:15.530 --> 00:50:16.350
Still.

364
00:50:17.260 --> 00:50:25.780
if we check If it is accidental or indiscriminate, or what? What are the access of

365
00:50:25.990 --> 00:50:27.000
a

366
00:50:28.760 --> 00:50:29.720
a

367
00:50:30.610 --> 00:50:31.780
censorship

368
00:50:31.810 --> 00:50:40.999
or bidding cancelling things? We identified 3 access. One is left-wing politics

369
00:50:41.180 --> 00:50:42.459
lifted. Sir.

370
00:50:42.870 --> 00:50:46.170
 bend.

371
00:50:46.640 --> 00:50:52.770
actually, I classified this by referring to Iris Moran Young's

372
00:50:52.890 --> 00:50:55.419
the piece of

373
00:50:56.210 --> 00:50:59.880
operation, 5 places of operation.

374
00:51:00.380 --> 00:51:03.249
We are indicating violence.

375
00:51:03.540 --> 00:51:09.250
which is one case of the operation and the other one is this distribution?

376
00:51:09.270 --> 00:51:12.310
because left being

377
00:51:12.630 --> 00:51:17.040
the leftist, politics ask for redistribution of wealth

378
00:51:17.240 --> 00:51:19.189
and other resources.

379
00:51:19.620 --> 00:51:21.830
So

380
00:51:21.980 --> 00:51:25.730
and significant change in more eco

381
00:51:25.760 --> 00:51:28.610
for more equal

382
00:51:28.760 --> 00:51:32.449
society. So there are.

383
00:51:32.720 --> 00:51:34.230
they are abstracted.

384
00:51:34.290 --> 00:51:39.600
and another one is religious and ethnic

385
00:51:39.780 --> 00:51:41.160
diversity.

386
00:51:41.260 --> 00:51:47.619
 the all these bands and obstructs

387
00:51:48.490 --> 00:51:51.400
counselling activities, limitations

388
00:51:51.440 --> 00:51:58.349
 guide. artists to be more homogeneous.

389
00:51:58.500 --> 00:52:01.990
ethnically and faithwise.

390
00:52:02.290 --> 00:52:16.610
we can call this as cultural colonization in and Iris Marion young terms. So There's there's the absence of recognition of diversity in the population.

391
00:52:18.110 --> 00:52:21.789
 Another access is gender.

392
00:52:22.150 --> 00:52:23.890
which includes women and

393
00:52:24.510 --> 00:52:37.369
 Lgbti gender, sexual orientation and gender identity with this, this, this, this, this category, can be identified

394
00:52:37.380 --> 00:52:44.389
in relation to merchant marginalization and powerlessness in an artist murdered young's

395
00:52:44.590 --> 00:52:45.600
yeah.

396
00:52:46.410 --> 00:52:56.460
Classification. Here are some examples. This Arnodon is a Kurdish singer.  actually she is

397
00:52:56.760 --> 00:52:58.260
singing in Kurdish

398
00:52:58.450 --> 00:53:00.989
good singer, but

399
00:53:01.530 --> 00:53:04.190
her concerts are banned

400
00:53:04.880 --> 00:53:09.570
 simply because she's singing in Kurdish.

401
00:53:09.890 --> 00:53:11.550
And a

402
00:53:12.260 --> 00:53:15.180
this other aspect is related to

403
00:53:15.250 --> 00:53:20.649
religious. She's not religious. If she was religious she would be Ok.

404
00:53:20.870 --> 00:53:22.719
Because she is not religious

405
00:53:22.750 --> 00:53:26.039
Kurdish. Only then she's not okay.

406
00:53:26.870 --> 00:53:33.610
 I feel one Parliamentarian made it very visible in the Parliament.

407
00:53:33.730 --> 00:53:34.710
The

408
00:53:34.980 --> 00:53:37.650
what she did in the Parliament is to sing

409
00:53:37.720 --> 00:53:39.730
every way that I can

410
00:53:40.550 --> 00:53:41.410
the

411
00:53:41.850 --> 00:53:53.590
a song by Certa Bernard. Actually she on Eurovision! And she sung this song and English in the Parliament.

412
00:53:53.720 --> 00:53:56.039
Now, she said, if she could.

413
00:53:56.430 --> 00:53:59.719
We can sing, she said, and then she sang.

414
00:54:06.670 --> 00:54:09.579
so this is a very good

415
00:54:09.880 --> 00:54:11.090
Protest!

416
00:54:11.390 --> 00:54:22.480
Another example is musician actually his brother, elder brother, who died

417
00:54:22.600 --> 00:54:24.750
in 2,005.

418
00:54:24.790 --> 00:54:32.520
They're very famous, and he was left wing, and he was combining his. The identity

419
00:54:32.840 --> 00:54:35.130
with this leftist

420
00:54:35.420 --> 00:54:41.960
 identity. He follows his brother's footsteps on his

421
00:54:42.000 --> 00:54:43.140
concerts

422
00:54:43.190 --> 00:54:46.539
as well, and cancelled.

423
00:54:47.070 --> 00:54:52.899
 but he said he would continue to sing

424
00:54:53.230 --> 00:54:53.970
the

425
00:54:54.340 --> 00:54:55.700
in the same way.

426
00:54:56.560 --> 00:54:59.850
and another example is groupurum.

427
00:54:59.910 --> 00:55:01.840
this. This is a.

428
00:55:02.030 --> 00:55:03.010
again.

429
00:55:03.500 --> 00:55:08.449
a group initially formed by university students.

430
00:55:08.460 --> 00:55:12.549
Their genre is influenced by the Latin American

431
00:55:12.690 --> 00:55:13.930
consume.

432
00:55:13.960 --> 00:55:16.640
I don't know if it is correct pronunciation

433
00:55:16.840 --> 00:55:22.230
moment. They combine folk music with

434
00:55:22.660 --> 00:55:24.680
left wing. Smalls are

435
00:55:24.820 --> 00:55:28.680
 teams.

436
00:55:29.050 --> 00:55:34.679
actually, in this picture they are singing for 2 Prisoners

437
00:55:34.930 --> 00:55:37.880
on hunger strike so

438
00:55:40.920 --> 00:55:42.420
their concerts are

439
00:55:42.800 --> 00:55:44.160
cancelled, and

440
00:55:44.240 --> 00:55:45.559
and then

441
00:55:46.060 --> 00:55:49.229
the band as well.

442
00:55:51.250 --> 00:55:55.260
this is So white Turk

443
00:55:55.630 --> 00:56:02.619
singer! But women rebel women. She was born in a conservative

444
00:56:02.770 --> 00:56:05.039
town, and

445
00:56:06.230 --> 00:56:11.340
adopted this surname Mosa. She she took a

446
00:56:11.480 --> 00:56:20.370
Michigan education. and it's a mythical term in Italian meaning, I think. Temple.

447
00:56:20.780 --> 00:56:24.040
 this is an adopted surname.

448
00:56:24.590 --> 00:56:30.130
and actually she uses her body a very.

449
00:56:30.600 --> 00:56:33.670
very much. This place your body

450
00:56:33.720 --> 00:56:40.150
and she's rebel. Her mother is hits, carved, etc. But she's she's

451
00:56:40.570 --> 00:56:42.889
she is a rebel women.

452
00:56:43.100 --> 00:56:46.750
a her her concerts recently

453
00:56:47.000 --> 00:56:49.189
cancelled, and

454
00:56:50.220 --> 00:57:02.080
and this council cancellations happen just a few days, a couple of days, or just one day before the performance, so it it becomes very

455
00:57:02.460 --> 00:57:05.009
difficult for these musicians.

456
00:57:05.400 --> 00:57:13.939
and after she keeps going her concert was cancelled in 2,020.

457
00:57:13.960 --> 00:57:20.139
But then she went on, and actually, while performing, she cut her here

458
00:57:20.170 --> 00:57:21.520
to

459
00:57:21.840 --> 00:57:23.810
support the

460
00:57:24.210 --> 00:57:28.429
Masa Amini. The protests in Iran

461
00:57:29.100 --> 00:57:40.990
 this year, her concerts cancelled as well. Another case, yes, 5Â min. Oh. this is is not the case.

462
00:57:41.370 --> 00:57:50.349
Actually, this was interesting because her New Year message in which she said, the ignorant event.

463
00:57:51.140 --> 00:57:59.069
Adam and some people this national survival movement targeted her.

464
00:57:59.730 --> 00:58:07.019
 I'll move onwards with this one. I think we can ask if this is kind of

465
00:58:07.150 --> 00:58:10.900
cultural hegemony or identity politics.

466
00:58:10.910 --> 00:58:17.159
And there was a discussion here about this, because

467
00:58:17.970 --> 00:58:21.090
we can say that. a.

468
00:58:22.030 --> 00:58:25.949
There was a culture established

469
00:58:27.010 --> 00:58:36.879
hegemonic culture, and it is changing towards more Islamic values. There is more homogenization

470
00:58:37.710 --> 00:58:41.850
towards that direction.

471
00:58:45.510 --> 00:58:48.090
 excellent.

472
00:58:48.770 --> 00:59:06.199
We can discuss this. Just briefly, I mentioned this and conclude, when it comes to once, we can refer to Johan Galton, because he claims that violence can be through exo commission and axle omission.

473
00:59:06.330 --> 00:59:14.480
The Exile Commission includes the prohibitions and bands of these activities artistic activities.

474
00:59:14.570 --> 00:59:18.190
and there can be also excel omission.

475
00:59:19.300 --> 00:59:23.739
I would like to include this one. During the

476
00:59:23.770 --> 00:59:24.850
pandemic

477
00:59:24.960 --> 00:59:28.449
the State is supported.

478
00:59:28.740 --> 00:59:30.460
the entire

479
00:59:31.500 --> 00:59:32.940
enterprises.

480
00:59:33.290 --> 00:59:35.670
for instance.

481
00:59:35.680 --> 00:59:40.230
minimum wage. In order to avoid companies

482
00:59:40.240 --> 00:59:56.710
firing people, they paid a minimum wage. They. They did so for the their artistic activities as well. But these artistic activities do not fit into the standard work and conditions.

483
00:59:56.720 --> 00:59:59.920
So In conclusion.

484
01:00:01.140 --> 01:00:12.069
arts and artistic activities didn't get any significant support from the State very, very minimal. And so many musicians committed suicide.

485
01:00:12.450 --> 01:00:14.910
and more than

486
01:00:14.970 --> 01:00:24.779
103 and one left this message, even though gods do not know there must be some campus. Someone's knowing that I'm hurt.

487
01:00:24.940 --> 01:00:28.099
Many musicians committed suicide.

488
01:00:33.430 --> 01:00:37.990
actually, when come to this cultural, to Germany.

489
01:00:39.130 --> 01:00:55.779
There are these faces mentioned! Inhand tikili, this modernity, that the periodization is related to how modernity was practiced in Turkey

490
01:00:56.570 --> 01:01:01.059
the period after 1980 or educational modernity.

491
01:01:01.080 --> 01:01:03.680
I would definitely show this.

492
01:01:03.700 --> 01:01:17.599
In the beginning. Vancouver was established in 1,923. There was a radical modernity of full-scale standardization, rationalization, westernization, and

493
01:01:17.630 --> 01:01:23.069
and so on. So this was the presidential mention.

494
01:01:23.200 --> 01:01:26.909
And actually, I'll show the picture of Ankara.

495
01:01:26.930 --> 01:01:39.600
this park there is a park. It was designed for a public space, where people would discuss our walk up to the Parliament. The small building at the background as the Parliament.

496
01:01:39.620 --> 01:01:45.950
so they intend to develop democracy in Turkey.

497
01:01:46.200 --> 01:01:48.600
But the democracy was also.

498
01:01:48.830 --> 01:01:52.529
and build upon strong figures, 5 founding

499
01:01:52.610 --> 01:02:02.470
people, and there in the middle. This is the one on the left hand side is called Security

500
01:02:02.600 --> 01:02:07.179
Monument. On the left hand side there is the

501
01:02:07.600 --> 01:02:11.839
the industry, and on the right hand side there is the

502
01:02:12.100 --> 01:02:13.590
agriculture.

503
01:02:13.690 --> 01:02:23.739
and you can see the bodies, and how a nation is presented. It's like not to Germany.

504
01:02:25.050 --> 01:02:28.229
Actually the artist was from Germany.

505
01:02:28.320 --> 01:02:38.750
but it was an authoritarian period, and we can see very many authoritarian practices while trying to modernize and implement modernity.

506
01:02:39.410 --> 01:02:41.839
And then we see the current

507
01:02:42.390 --> 01:02:48.250
compound. All the decisions are made there. It was a public space.

508
01:02:48.270 --> 01:02:51.609
It's called a tetrick's forest.

509
01:02:51.920 --> 01:02:53.449
the farmer.

510
01:02:53.550 --> 01:02:58.089
a public open to everybody but it. That part was

511
01:02:58.140 --> 01:03:05.270
appropriated, and presidential compound was built. So the State appropriated public

512
01:03:05.440 --> 01:03:09.190
space from people to the build this building.

513
01:03:09.260 --> 01:03:13.800
It's just kind of authoritarian

514
01:03:14.900 --> 01:03:16.609
develop. Once

515
01:03:16.980 --> 01:03:17.900
the

516
01:03:18.700 --> 01:03:27.700
we can see how many mosques there are, and how many schools there are in the table, and how much money spent

517
01:03:28.160 --> 01:03:31.040
for these institutions. Actually

518
01:03:31.230 --> 01:03:40.999
Thera directorate of religious affairs in the 1,900 twentys. When the Vancouver was established.

519
01:03:41.150 --> 01:03:45.589
there was the diversity of all these different kinds of practices.

520
01:03:45.600 --> 01:03:59.390
and this Muslim religion was consolidated in this institution to create and control this diligent, but it became a huge institution.

521
01:03:59.700 --> 01:04:01.490
sucking money from the

522
01:04:01.700 --> 01:04:06.160
and people on all other activities.

523
01:04:06.330 --> 01:04:16.219
 Ok, there's also a neoliberal period created a lot of poor people.

524
01:04:16.290 --> 01:04:23.850
dependent people. They are dependent on social help, and a lot of money goes to social health.

525
01:04:23.910 --> 01:04:27.880
and one auto pike gets social help

526
01:04:28.120 --> 01:04:30.440
in Turkey. So

527
01:04:30.520 --> 01:04:35.709
this way, this is the way to create consent. Among people.

528
01:04:36.150 --> 01:04:45.639
There are only very few rich people, and now shrinking middle classes and huge

529
01:04:45.790 --> 01:04:48.610
the people living on power to line.

530
01:04:48.730 --> 01:04:54.850
but getting social health and appreciating the Government so much because of the social help.

531
01:04:55.350 --> 01:04:58.680
The break point was the schizophrenia.

532
01:04:58.920 --> 01:05:05.940
In Gizzy Park. Young people gave a reaction to in 1,913, when

533
01:05:06.040 --> 01:05:10.440
our upspring was there a reaction to

534
01:05:10.710 --> 01:05:12.590
destruction of nature

535
01:05:12.620 --> 01:05:17.739
in the middle of Istanbul? And this happened. What came out is

536
01:05:17.910 --> 01:05:19.219
create to it.

537
01:05:19.720 --> 01:05:25.270
and a lot of singing, a lot of creativity, a lot of risklessness.

538
01:05:25.290 --> 01:05:28.860
art. There represents a sorry

539
01:05:29.930 --> 01:05:31.190
these things.

540
01:05:31.420 --> 01:05:44.370
creativity, diversity, solidarity, equality, participation, and so on. So it created a lot of fear on the part of the government, and they are against creativity

541
01:05:45.230 --> 01:05:47.619
performed by these people.

542
01:05:49.650 --> 01:05:50.460
Thank you.

543
01:06:10.350 --> 01:06:14.130
Thank you for this very rich presentation.

544
01:06:14.170 --> 01:06:22.640
Our next talk is by a perup of Patnia from the Kalinga Institute of Industrial Technology in India.

545
01:06:22.890 --> 01:06:27.950
The title is Soft Power, a new race for democracies.

546
01:07:03.540 --> 01:07:05.040
15 years.

547
01:07:05.080 --> 01:07:14.669
The sessions closes. It's 20, and it's already in 1,943. So 2,015 and 15 in some discussion.

548
01:07:15.260 --> 01:07:27.899
A very good morning to one in all present. Here I am, Upper Rupa at night from Kalinga Institute of Industrial Technology. and today I will be speaking about soft power, which is a new race for democracies.

549
01:07:28.300 --> 01:07:34.020
First, I will give you an introduction, and then I will set India as an example.

550
01:07:34.120 --> 01:07:37.820
and then I will give some facts and data and conclude

551
01:07:38.330 --> 01:07:39.890
so to begin with.

552
01:07:46.930 --> 01:07:57.049
in the recent decade, the presence of Asian countries has become increasingly global and dominant. particularly Japan, Singapore, South Korea, and China.

553
01:07:57.300 --> 01:08:04.370
But the question arises, are these Asian countries? Why and why are these countries are on the rise?

554
01:08:04.510 --> 01:08:10.109
The answer lies in the soft power. To begin with, what is power

555
01:08:10.400 --> 01:08:19.740
at the most general level powers, the ability to influence the behavior of others, or to get what one wants as an outcome.

556
01:08:20.150 --> 01:08:26.950
There are several ways to affect the behavior of others. First, you can coerce them with threats.

557
01:08:27.120 --> 01:08:33.119
Second, you can induce them with payments, and, third, you can attract or co-OP them.

558
01:08:33.780 --> 01:08:45.070
The future of a country and its stand in the global platform mostly depends on how it utilizes both types of powers. That is the hard and the soft power.

559
01:08:45.720 --> 01:08:48.800
I would like to speak about what is heart-powerful.

560
01:08:49.690 --> 01:08:59.250
Hard power is when the country uses military and economic means which influence the behavior or interest of other political bodies.

561
01:08:59.650 --> 01:09:10.610
It is a form of political power which is often aggressive in that it uses question. it is associated with specific, tangible resources.

562
01:09:10.840 --> 01:09:13.299
But then there are some limitations.

563
01:09:14.580 --> 01:09:23.130
First of all, it becomes ineffective when there is a deadlock between 2 nations, or if both holds equal power or status.

564
01:09:23.310 --> 01:09:25.580
it aggravates the problem.

565
01:09:26.660 --> 01:09:29.760
for as it results in an eye for an eye

566
01:09:30.570 --> 01:09:34.580
coming to, and it becomes very difficult for the weaker states

567
01:09:34.830 --> 01:09:47.800
coming to what is soft power. Soft power is defined as the ability to attract and co-opt instead of coercion, shaping the preferences of others through appeal and attraction.

568
01:09:48.030 --> 01:09:53.390
It is grounded in intangible resources, like tourism, culture, and heritage.

569
01:09:53.900 --> 01:09:58.850
Therefore the best way out is to have a middle part, and that is the smart power

570
01:09:59.150 --> 01:10:02.840
which involves both hard and the soft power

571
01:10:03.310 --> 01:10:07.289
it involves. Strategically applying diplomacy and persuasion.

572
01:10:07.330 --> 01:10:16.489
This type project's power and influence in a very cost-effective manner to legitimize the political and social aspects.

573
01:10:16.830 --> 01:10:31.229
The terminology soft power is coined by Joseph Nye in the late 1980 S. Which means it is the ability of a country to persuade others to do what it wants without force or question.

574
01:10:32.380 --> 01:10:38.730
India is a country which uses mostly the smart power. For example.

575
01:10:38.880 --> 01:10:54.569
the world has been experiencing various issues like non-state cross-order terrorism. India and Pakistan bottles, are effectively, militarily guarded in the border areas. But efforts, like Katar per corridor are always used.

576
01:10:55.050 --> 01:11:06.519
India's current foreign policy is based on the concept of smart power. This means using both heart and the soft power at particular times which suits the national integrity.

577
01:11:06.930 --> 01:11:12.439
Democracies, like India and the Us. Can dominate others, but

578
01:11:12.550 --> 01:11:22.390
it has excelled in projecting its soft power with the help of their companies, foundations, universities, and temples.

579
01:11:23.220 --> 01:11:26.850
churches, and other institutions of civil society.

580
01:11:27.610 --> 01:11:33.230
its culture, ideals, and values have been extraordinarily important.

581
01:11:34.140 --> 01:11:53.169
Talking about India, which is world's largest democracy, has been a point of attraction for the world throughout history, from being called the Golden Bird to present as a land of spiritualism, architectural marvel, and cultural heritage in different forms of art and music.

582
01:11:53.330 --> 01:12:02.870
from the Buddhist middle path to Catalia's pragmatic political form. From Gandhi's political strategy of Satyagra and non-violence.

583
01:12:04.740 --> 01:12:07.760
India has a vast population

584
01:12:08.980 --> 01:12:19.740
with the largest youth component, a dimension which the policymakers try to convert into an advanced added advantage by equipping them with contemporary

585
01:12:19.920 --> 01:12:36.550
skills, with greater emphasis on such areas of learning as artificial intelligence, big data, machine learning and optimal expansion of digital application and practices to keep pace with the changing landscape of knowledge.

586
01:12:36.870 --> 01:12:41.840
education, and educational institutions also play a very important role.

587
01:12:42.840 --> 01:12:45.419
The culture of the country, its political

588
01:12:45.450 --> 01:12:49.640
perspectives and institution mechanism is basically

589
01:12:49.720 --> 01:12:52.710
transmitted to the next generation through education.

590
01:12:53.290 --> 01:13:03.350
the new education policy, 2020 of India, and with ages a holistic educational system based on Indian identity and called global outlook.

591
01:13:03.430 --> 01:13:07.800
It emphasizes India's cultural and civilization of

592
01:13:07.860 --> 01:13:13.670
values to ensure a required dose of confidence for young citizens.

593
01:13:13.820 --> 01:13:22.869
With the vision of transforming India into an equitable and vibrant Knowledge society. it provides a roadmap

594
01:13:22.990 --> 01:13:41.460
about how to develop a deep sense of respect among the children towards national culture, fundamental duties and constitutional values, with necessary awareness and understanding towards the changing globe, with scenario and responsibilities as a global citizen

595
01:13:42.450 --> 01:13:47.280
education as synonymous with human resource

596
01:13:47.550 --> 01:13:57.880
in the changing syndrome of global power, the strength on the battlefield is fast replaced by the power of knowledge and skills in laboratories.

597
01:13:58.170 --> 01:14:05.480
Thus the power of a nation is now determined by the power of its human resources and capacity building

598
01:14:06.750 --> 01:14:23.220
the major contemporary challenge, like climate change, terrorism, fundamentalism, and such health crisis as the pandemic underway can be dealt with only by cooperative coalition of nations with shared interest and building cooperation

599
01:14:23.780 --> 01:14:27.360
in such a scenario a soft power strategy

600
01:14:29.170 --> 01:14:45.229
for fostering positive youth outcomes, including the work for success, social and health behavior and education has grown. International youth development programs has also successfully been running which promote the soft power.

601
01:14:45.520 --> 01:14:48.169
A nation's positive soft power

602
01:14:48.410 --> 01:14:59.579
perceptions allow it to promote itself as a place for people to visit, invest in and build a reputation for the quality of goods and services.

603
01:14:59.840 --> 01:15:11.289
It also allows a country to rise in the esteem of its neighbors, markets and resources and compose the face it presence in the international market

604
01:15:20.990 --> 01:15:23.569
sports and soft-powered

605
01:15:23.600 --> 01:15:30.370
is also having a great important role in bringing regions, nations, and diverse cultures together.

606
01:15:30.650 --> 01:15:58.470
Sports have a healing power and cantonic people and cultures. For example, the state from where I belong to that is Odessa, which represents hockey in such a way that it has staged 2 hockey world cups in a span of 5 years. Similarly, the organization where I am working for plays a very vital role in promoting the sports of India. Under the leadership of Dr. Ajudiceam.

607
01:15:59.200 --> 01:16:06.030
the great Nelson Mandela used to say that sports has a power to change the world. It can unite

608
01:16:07.440 --> 01:16:08.710
the nations

609
01:16:12.060 --> 01:16:19.299
as well as it can foster. It can further get rid of the racial barriers as well.

610
01:16:19.580 --> 01:16:28.020
So let us now discuss the cultural systems which are closely linked to international relations and play a vital role in diplomacy.

611
01:16:28.370 --> 01:16:34.100
To begin with, the culture acts as a navigation compass in decision, making

612
01:16:34.300 --> 01:16:47.189
cultural concepts strongly influence the way national leaders regard political issues and often determine the solutions they chose to solve. The issues both individually and collectively

613
01:16:47.480 --> 01:16:52.290
cultural values represent the architect of international social trust.

614
01:16:52.700 --> 01:17:00.509
The competitiveness of a nation depends on a unique universal characteristics, and that it's social trust

615
01:17:00.910 --> 01:17:04.949
according to the thesis of cultural convergence

616
01:17:04.960 --> 01:17:16.169
which represents an important power for international integration. There is a strong trend of unification and homogeneization in the rise and fall of civilizations.

617
01:17:16.340 --> 01:17:20.360
This trend reaches its climax in the industrial era.

618
01:17:23.350 --> 01:17:31.010
Now I would like to discuss the various steps taken by the Democratic organizations to safeguard the

619
01:17:31.190 --> 01:17:35.800
a culture and heritage, understanding its importance in the global domain.

620
01:17:36.150 --> 01:17:58.509
For example, in the year 2,003 Unesco Convention for safeguarding of the intangible cultural heritage. What is worthy of protection started to include new cultural domains, such as oral traditions and expressions, including language, performing arts, social practices, rituals, and festive events.

621
01:17:59.020 --> 01:18:10.140
knowledge and practices concerning Nature and the universe and Traditional craftsmanship. In 2,015, with the use of Geospatial Informations.

622
01:18:10.190 --> 01:18:30.169
the United Nations Institute for Training and Research Unitar published satellite photos, showing the is I as militants, had destroyed the temple of Belle and Palmara, which led to Italy's propositions in the UN General Assembly to create the blue helmet for culture.

623
01:18:30.240 --> 01:18:37.849
an emergency task force for culture, bringing together cultural heritage experts and Italian force.

624
01:18:38.230 --> 01:18:42.560
Historically. cultural relations involve

625
01:18:42.780 --> 01:18:53.740
exchanges in arts and science, education and language and understanding, involving social issues such as human rights and empowerment.

626
01:18:53.910 --> 01:19:08.169
Recent developments have brought in digital interaction, climate change and sustainable development. Oil was not an impressive power resource before the industrial age, nor was uranium

627
01:19:08.460 --> 01:19:11.849
significant before the nuclear age.

628
01:19:12.100 --> 01:19:16.109
Power, resource cannot be judged without knowing the context.

629
01:19:16.280 --> 01:19:24.069
In some situations those who hold high office, command, force, or possess wealth are not the most powerful always.

630
01:19:24.250 --> 01:19:28.480
Thus is what revolutions are about.

631
01:19:28.910 --> 01:19:34.559
For example, the information, revolution and globalization are transforming

632
01:19:35.290 --> 01:19:36.780
the global era.

633
01:19:37.000 --> 01:19:43.930
For example, I will give the Bts K pop from Korea, Japanese anime to name a few.

634
01:19:44.170 --> 01:19:58.390
In conclusion, I would like to say, and I would like to emphasise that youth are the builders of the nation. They are the future and the backbone of the nation, and thus it is very important to empower them with the necessary skills.

635
01:19:58.400 --> 01:20:22.589
India being the world's largest democracy with multi-ethnic population, have rich diversities which also reflects in its youth and their skills by having diverse cultural asset and charismatic politicians, can raise a country's soft power. Still it has to go beyond the individual factors before sustainable growth

636
01:20:22.810 --> 01:20:25.310
in soft power can be achieved.

637
01:20:25.720 --> 01:20:32.760
In today's globalized world. A significant increase in the global economy can be attributed

638
01:20:32.790 --> 01:20:49.139
to the influence of soft power, therefore increasing a country's soft power by skilling the youth in various fields, can boost the global economy and ensure its diplomatic ties and others.

639
01:20:49.380 --> 01:20:50.799
Thank you so much.

640
01:21:02.810 --> 01:21:05.640
Yeah.

641
01:21:15.440 --> 01:21:18.160
Volker Kirchberg: Okay. Jeffrey.

642
01:21:18.950 --> 01:21:21.320
Yes, I

643
01:21:23.100 --> 01:21:31.070
Volker Kirchberg: I don't hear you. Okay. you have to go to the microphone.

644
01:21:31.240 --> 01:21:52.179
We I want to introduce our good colleague, Volker Kersburg, who is, speaking, remote from Lunenburg, Germany, His title of the title of his paper is Real Utopias, arts and culture as catalysts. Are you? Are you seeing? My I? You see my my by presentation.

645
01:21:52.240 --> 01:21:54.890
Volker Kirchberg: Good and everybody.

646
01:21:54.990 --> 01:21:58.089
Volker Kirchberg: Yes, we see it great

647
01:21:58.380 --> 01:22:01.370
Volker Kirchberg: And we hear you as well. That's even better.

648
01:22:01.380 --> 01:22:11.320
Volker Kirchberg: Okay, let me just do this good. Now. let me just start because I don't think we have too much time I changed the title a little bit, and

649
01:22:11.340 --> 01:22:35.120
Volker Kirchberg: it is no more about democracy than about art the significance of us in culture in the so called real Utopia projects has to be discussed, maybe later, and at the end of my presentation. And please make sure that I have enough time that. I don't overdo my time. that's always my big problem in general.

650
01:22:35.120 --> 01:22:51.220
Volker Kirchberg: Okay, now, I don't know whether you know anything about the the context and the concept of the real Utopia which is based on Eric or the famous Marxist Socio American Maxing system. Just a recording right?

651
01:22:51.220 --> 01:23:06.800
Volker Kirchberg: Who wrote about for 20 years with the research about these real Utopias and the important part is really the work real in front of it. first of all, let's start with without talking too much about it

652
01:23:06.950 --> 01:23:20.499
Volker Kirchberg: about Aunts Bloch and Karl Manhattan, who actually started in the in the twentieth century to to re-sync the the concept of Thomas. Where was Utopia? And

653
01:23:20.570 --> 01:23:50.329
Volker Kirchberg: and upstanding that this has to deal with the totalitarian regimes of the twentieth century and expanding on it and criticizing it, of course. Now, what happened in the last years, and I think this is very important to understand that there has been a a pleasure of of text and research done on on the Utopian ideas, and one of the most, I think most interesting ones has been done by a group from

654
01:23:50.470 --> 01:24:12.660
Volker Kirchberg: again, Turkish, American, and also German. science. Social scientists dealing with the significance of the to the appearance and the emergence of Utopian ideas. In view of the global crisis that happens right now, and will happen even more in the future. So, after having

655
01:24:12.900 --> 01:24:27.600
Volker Kirchberg: discuss the idea of we Utopia that are there to be realized and not just to be envisioned, but to be really done by people initiatives that were done.

656
01:24:27.600 --> 01:24:55.949
Volker Kirchberg: We thought that we would do an empirical study in most Germany. My colleagues say, I believe that who is not here today, especially not at 30'clock in the morning. By the way, we. We looked at Utopian initiatives in North Germany. And we want, we wanted to think, how these Utopian initiatives can be realized in this. in in different areas of life.

657
01:24:56.250 --> 01:25:16.299
Volker Kirchberg: No, the research questions we are thinking of. the makes Mo. Mostly based on on Erikol and Wright's ideas. when he talks about these, I believe desiability by ability and achieve ability. that's the second bullet point on my presentation

658
01:25:17.200 --> 01:25:47.099
Volker Kirchberg: the 3 just very short. These 3 scales of Utopian thinking means what is desiable? That's what we wish. These are our visions without any borders, any limits. Then we have, the issues of viability. What is viable? What can we do? And then in front and then in in front of put it mostly put it in there we ask the questions, what is achievable. So we have this, this

659
01:25:47.400 --> 01:25:56.090
Volker Kirchberg: limitation of desirable visions to achievable possibilities, that why always talks about?

660
01:25:56.360 --> 01:26:21.269
Volker Kirchberg: He also talks about causes and consequences. Now we extended and saying, we do not only want to talk about causes and consequences of real Utopia, but we want to talk about micromas and and microcos is the same with the consequences. Talk about micromas and micro consequences of we are Utopias. And coming back to the first bullet point we also saw since we worked

661
01:26:21.270 --> 01:26:37.989
Volker Kirchberg: in an empirical environment in North Germany. And we we looked at several real Utopias in North Germany. We look at differences between Utopias that are in the cities and the main cities, and that are more in the rural areas. So that's what we do. 150

662
01:26:38.050 --> 01:26:41.649
Volker Kirchberg: let's come back to the last bullet point later.

663
01:26:42.600 --> 01:26:55.910
Volker Kirchberg: our empirical approach very shortly is we did. interviewing with people in. We are Utopias. This is an explorative research. We do. We intend to.

664
01:26:56.000 --> 01:27:15.019
Volker Kirchberg: of course, we intend to write a research grant trying to to do a major starting with my colleague and friend, I from the Hebrew University. In the future we would like to go further on and and compare real Utopian movements in Germany and in Israel

665
01:27:15.030 --> 01:27:41.329
Volker Kirchberg: quite, very different countries. But that that's the reason we want to compare these 2. Now, at this moment we look at 14 Utopia in North Germany covering 8 years of life. And don't talk too much about the data analysis method. But I'd like to show you the areas of these real Utopians that we looked in, which is urban development

666
01:27:41.630 --> 01:27:48.160
Volker Kirchberg: had some care housing. consumer goods. working

667
01:27:48.190 --> 01:28:06.920
Volker Kirchberg: agriculture and food education. And then, of course, that's why, here culture and the arts, there are further lives, areas of life that we want to investigate in the future, which is mostly the area of mobility and issues of discrimination and poverty.

668
01:28:07.630 --> 01:28:09.210
Volker Kirchberg: So

669
01:28:09.900 --> 01:28:18.809
Volker Kirchberg: those we we, we we intended to look at. that means we intended to look at 8 areas

670
01:28:19.200 --> 01:28:39.199
Volker Kirchberg: in this moment. And we wanted to always have 2 comparative, real Utopia initiatives, one in the rural area and one in one of the cities in North Germany. The major cities in North Germany, which, by the way we looked at, was humbug and a Hanover. These are the cities we looked at

671
01:28:39.360 --> 01:28:58.500
Volker Kirchberg:  I I don't want to go too much into the details of these initiatives, but there's, for instance, something like, let's go to this one something like a co-working spaces in in in a rural area an old

672
01:28:58.730 --> 01:29:22.280
Volker Kirchberg: post-industrial area in the world part of. And we looked at a co-worker space, a feminist co-work in space in a Hamburg as as a count upon to the rural area. We also looked at, for instance, just examples at 2 schools, educational size.

673
01:29:22.280 --> 01:29:37.429
Volker Kirchberg: which is a free school and a small village very close by my town, where I teach and the other one is school in Hanover. So again a rule and an

674
01:29:37.430 --> 01:29:51.480
Volker Kirchberg: the Darwin School. Then we looked at, so called community supported agricultural initiatives. they in the countryside? people who live and work there.

675
01:29:51.790 --> 01:30:16.089
Volker Kirchberg: growing vegetables, and giving them in a cooperative way away to the members of these clubs and urban gardening, which probably you all have heard about it. mostly now in the city of Hanover. At this moment again, one is in the very remote a group area. The other one is in the middle of a midgetown.

676
01:30:16.440 --> 01:30:27.720
Volker Kirchberg: and we have a housing projects which is a so-called Eco- village close to the in the rural region, which is

677
01:30:28.290 --> 01:30:33.629
Volker Kirchberg: There are 400 people living there. They just started it about.

678
01:30:34.010 --> 01:30:44.539
Volker Kirchberg: let me think 8 years ago, and find the people who live and live and and work there as a as a Utopian project.

679
01:30:44.570 --> 01:31:06.899
Volker Kirchberg: and we have an oven housing project in Hamburg, the so-called Drake building on the right side, where we have already in the second generation kind of cooperative housing development where people live together on a very low end. But in the center of Hamburg, by the way.

680
01:31:06.920 --> 01:31:11.019
Volker Kirchberg: So if we look at the urban and real comparison.

681
01:31:11.690 --> 01:31:32.290
Volker Kirchberg: We have advantages and disadvantages, and I just don't want to bother you and and bore you a lot with our empirical message, or not to good issues. But coming, I would like to come right to the findings of of my research of our research. we we look at it, and we found that

682
01:31:32.440 --> 01:31:34.620
Volker Kirchberg: all the people we talked to

683
01:31:34.860 --> 01:32:01.470
Volker Kirchberg: well, they were in the urban or the rural areas. who created these real Utopias. see a lot of advanced just in the rule. We are Utopia and a lot of disadvantages in the real Utopia that they have created in the city. So they've seen more gardens and more obviously in the cities. And there's there more opportunities seen in the rural areas.

684
01:32:01.470 --> 01:32:16.229
Volker Kirchberg: for instance, opportunities for personal development. on the other side, we have a lot more structures, especially the the threat of gentrification which makes living in the city more and more expensive.

685
01:32:16.290 --> 01:32:24.010
Volker Kirchberg: Also, what we found is, even though these are enlightened people, most of them progressive people. we mostly looked at

686
01:32:24.020 --> 01:32:41.100
Volker Kirchberg: progressive left wing people in these real Utopian projects. they still had cliche about each other. So They assume that there's more political activity in the city, and there's more social isolation in the countryside.

687
01:32:41.410 --> 01:32:47.109
Volker Kirchberg: there's more social life in the city and less in the countryside, which is

688
01:32:47.210 --> 01:33:15.500
Volker Kirchberg: completely wrong, because, in fact, objectively. The differences are not that big as people like to? take minutes for care. Thank you for telling me. let me just get We are most not too many that these are when we talk about disability, viability and achievability. I just see that a lot of people say something like the person in the work. We are Utopia at the beginning.

689
01:33:15.500 --> 01:33:24.809
Volker Kirchberg: look out for each other, value each other more. We create creative centers in the world. We are global citizens. And on the other hand, we have

690
01:33:24.960 --> 01:33:43.080
Volker Kirchberg: issues of achievability. I can only realize Utopia. We're working through one step at a time. So we have people who think that we can it reach to the goal, to the stars. And then we have people in this way. Utopia says, no, we have to do very small steps

691
01:33:43.470 --> 01:34:00.009
Volker Kirchberg: going to the causes. And that's I'm talking about causes and consequences. Now to the end of this real Utopia we have micro-level courses and micro-level causes. I I I I don't have the Me. So that right now on this on this slide.

692
01:34:00.010 --> 01:34:14.889
Volker Kirchberg: and it seems to be very important that on a micro level these, the work, the personal development, the togetherness, and also the way. If you look to the outside, it is much better in our niche in the place we live in.

693
01:34:14.890 --> 01:34:38.139
Volker Kirchberg: That's very important for them, and on the micro level the most important one is probably the cost. We want to hide before the crisis. We want to get away from the global prices that are blicking out global crisis. I keep that away. And then I can go about my everyday life quite happily. So they find their own bubble where they try to live in the real Utopia, however.

694
01:34:38.140 --> 01:34:47.090
Volker Kirchberg: all of them. And this goes back to a record and wide. Think about either. What kind of consequence they would like to have

695
01:34:47.110 --> 01:34:51.759
Volker Kirchberg: transformations on a revolutionary level.

696
01:34:51.760 --> 01:35:11.680
Volker Kirchberg: on a niche level. That's the interstitial transformation. Or on it, I would say, social democratic level. That's the symbiotic transformation. Again, we see these 3 levels here. The rupture of transformation is not important, but the most important one is probably for the urban. We, your tok is

697
01:35:11.680 --> 01:35:22.579
Volker Kirchberg: erez agmoni. We want to have an island we want to have for Bubble. We want to create a better life for us, and we don't care so much about what's going on outside, whereas in the rural we in Utopia, 250,

698
01:35:22.580 --> 01:35:35.350
Volker Kirchberg: they talk a lot about corporation, they said. We have to work together with our democratically minded actors, and we cannot live only in a puppet. So again, a difference between the rule and the urban real Utopia.

699
01:35:35.570 --> 01:35:39.179
Volker Kirchberg: other expected consequences. We have

700
01:35:39.340 --> 01:35:41.330
Volker Kirchberg: so

701
01:35:42.170 --> 01:36:08.600
Volker Kirchberg: to to really see what we can do on a real level, on a concrete level, not on an abstract level, but on the concrete level, starting to have a agriculture initiative that grows organic food for for people, customers who live around who pay a decent price for it and and not being just focused on a low price not focused on profits.

702
01:36:08.620 --> 01:36:11.900
Volker Kirchberg: On the other hand, we have the micro-level consequences.

703
01:36:12.380 --> 01:36:25.000
Volker Kirchberg: and that's especially experiences of strong efficacy. So what can we do? Do we see our real Utopia as a game changer? And they are actually

704
01:36:25.170 --> 01:36:32.649
Volker Kirchberg: a lot of limitations. Because in late capitalism gives what? And in bureaucracy we have this limitations of

705
01:36:32.680 --> 01:36:33.880
Volker Kirchberg: creating

706
01:36:33.900 --> 01:36:45.130
Volker Kirchberg: changes on a macro level. So a lot of these real Utopias are focused and limited on them, on the positive micro level consequences which goes pretty much

707
01:36:45.130 --> 01:37:05.459
Volker Kirchberg: into the direction I have here between structural constraints and agency opportunities. Efficiency. As I just said, they see we can change something. But can we change the world No self description as an experimental room and a mind Mini biotope for social designs is important.

708
01:37:05.460 --> 01:37:20.670
Volker Kirchberg: and, on the other hand, the structure constraints are too big. So again, focusing on small scale differences actually more in a puppet as a kind of last 2 slides Geoffrey.

709
01:37:21.050 --> 01:37:43.800
Volker Kirchberg: as a kind of putting our findings together. They are these 3 dimensions that we found. So we have a very much according to Eric, or in wide some initiatives who think on visions, on visionary ideas, or even on a major social tel level. where this viable ideas

710
01:37:43.800 --> 01:37:55.319
Volker Kirchberg: they think about implementation, they think about how to realize issues. And they want to go small steps. That's the one opposite the other dimension is the one that I mentioned again and again.

711
01:37:55.320 --> 01:38:20.159
Volker Kirchberg: which was surprisingly clear between real Utopia that have been developed in the urban area. But it's the one that have been developed in the rural area. And and again, I'm coming. I'm thinking about turn this and society and community. The difference between these 2 and the third major intervention. The dimension is the one between structure and agency, or between societal reasoning and individual reasoning.

712
01:38:20.160 --> 01:38:26.190
Volker Kirchberg: because a lot of them say they have individual reasoning more than societal reasoning.

713
01:38:26.190 --> 01:38:38.209
Volker Kirchberg: which, by the way, is of course related to issues of crisis, of global on the on the global display. Okay, the outlook, the last, the last one is this one

714
01:38:38.820 --> 01:39:06.389
Volker Kirchberg: we need further research. And one of them is about. We would like to have, as I said, a extent. the knife areas that we want to look at, we will look at. We are Utopias as a power balance and trying it off the market. The state of the civil society very much We would like to know more about the species that still exist between living in the city and living in the rural areas.

715
01:39:06.410 --> 01:39:30.739
Volker Kirchberg: and we would like to know more about the ideas of of objective data, of efficiency, of where your top is in society right now, we only did in this is people who work and who live in these in this, in these real Utopia again. what I don't have on this slide is the comparison that we plan

716
01:39:30.740 --> 01:39:42.049
Volker Kirchberg: looking at real Utopia development in Germany, comparing it with real Utopia that are developed today in Israel. So that would be the next level of our research.

717
01:39:42.260 --> 01:39:48.570
Volker Kirchberg: Well, thank you very much. Thank you for care for that very interesting

718
01:39:48.750 --> 01:39:55.909
presentation. We we have little time, but we do have 5 of 4 4Â min. So questions. Here's one

719
01:39:56.830 --> 01:40:12.649
Hi Walker. Thank you for your presentation. I'm a result from Chile. And I ask in the COVID-19 the rural property became very expensive in general in the world.

720
01:40:12.660 --> 01:40:15.680
The economies talk about

721
01:40:15.959 --> 01:40:20.509
new luxury. The property rural became the new luxury

722
01:40:20.530 --> 01:40:36.399
because the people can to move it for work in the order, in everywhere, so that phenomena change the dynamics, rural dynamics.

723
01:40:36.490 --> 01:40:49.729
for example, in relationship than water the relationship, the price of the land, etc. Can you take about that for the rural Utopias, please?

724
01:40:50.360 --> 01:41:08.970
Volker Kirchberg: Yes, again. I I could talk about this now for 15Â min or longer. I just mentioned one issue. when I, when I talked about global crisis, of course the health crisis and the crisis of COVID-19 was one of the crisis that it

725
01:41:09.411 --> 01:41:21.329
Volker Kirchberg: actually attracted people to start and to to reinforce real Utopia in the rural areas. And the urban real utilities had a lot more problems

726
01:41:21.330 --> 01:41:46.329
Volker Kirchberg: in in finding a legitimation of of doing what they do, why, they were in the cities. So I I have. I have the idea. And this is purely a speculation right now that the global crisis. And that means not only COVID-19. But I'm talking about climate. The climate contest to fee. Will we support and strengthen rural you real Utopia small.

727
01:41:46.330 --> 01:41:49.689
Volker Kirchberg: It's more than urban. We're in trouble. But that's the speculation.

728
01:41:50.910 --> 01:41:52.719
Okay, thank you.

729
01:41:52.920 --> 01:42:04.600
I don't hear anything. So Anna, does the the the the the outskirts. Literature that you describe

730
01:42:04.620 --> 01:42:25.089
does it get into this? Is it red in the cities. Is there some dialectic or course fertilization between these regional literatures and and And the the big cities, and vice versa, and so do they get a chance to publish and get a larger audience.

731
01:42:25.630 --> 01:42:30.339
Volker Kirchberg: first of all, the question for Anna.

732
01:42:30.360 --> 01:42:37.060
Okay, or an in in her talk on. Oh, I'm sorry on Brazilian literature.

733
01:42:37.160 --> 01:42:38.170
Okay.

734
01:42:38.430 --> 01:42:59.829
Ana Lucia Teixeira: don't worry. I I really would like to hear from you about this as well. So I good to be very, very quick. Actually, this is something that has been appearing in in the peripheral areas of the big cities in Brazil. And maybe Marisol

735
01:42:59.830 --> 01:43:21.589
Ana Lucia Teixeira: could help me with that, I think, in in today as well, and I think in Buenos Aires as well in big cities, and not only in Latin America, but as well in in in North America. It's a new groups with new language, and it's a sometimes it has something to do with the music or not. It's not mandatory.

736
01:43:21.880 --> 01:43:38.220
Ana Lucia Teixeira: And normally it's the the big theme is the the such a condition of this groups. So in in in this cities, especially in some follow. They really created some kind of institutionalized net

737
01:43:38.220 --> 01:43:57.570
Ana Lucia Teixeira: to work. They have big big swathes. This is very disputed. Everyone wants to be. there. It's very, very, very, very well know, and a lot of people go there. They are publishing in very special published houses, which are very ferical as well.

738
01:43:57.620 --> 01:44:04.630
Ana Lucia Teixeira: and I think it's I think it's they are bringing new things to us to to think

739
01:44:04.680 --> 01:44:07.410
Ana Lucia Teixeira: with new categories. So I I

740
01:44:07.470 --> 01:44:11.129
Ana Lucia Teixeira: I stop here to to here for you please.

741
01:44:12.570 --> 01:44:14.150
The questions here

742
01:44:14.370 --> 01:44:15.140
or

743
01:44:15.690 --> 01:44:21.840
the panel has any questions for each other. Please feel free also.

744
01:44:27.580 --> 01:44:39.080
I have a question for you. You have to speak to the my. okay, it's about the

745
01:44:39.100 --> 01:44:50.950
we. For example, the Latin American musician in Turkey is about the musician and the group, the music musician, the migrant music

746
01:44:51.020 --> 01:44:53.800
in in Turkey, in your

747
01:44:53.910 --> 01:45:02.679
you found the musician artistic mobility.

748
01:45:06.580 --> 01:45:10.740
thank you very much for the question,

749
01:45:10.790 --> 01:45:13.449
we are focusing on

750
01:45:13.470 --> 01:45:23.890
censorship and bending, etc. But there are migrant positions, especially now. There are more than for

751
01:45:23.930 --> 01:45:26.050
1 million Syrians.

752
01:45:26.110 --> 01:45:37.430
Then many of them make their lives out of making music on streets. They are kicked out of the streets.

753
01:45:37.480 --> 01:45:40.840
and there are also Kurdish.

754
01:45:41.080 --> 01:45:42.750
the Kurdish

755
01:45:42.890 --> 01:45:46.620
music makers on streets, but it's

756
01:45:47.160 --> 01:45:52.330
It's quite difficult to get into these institutional channels.

757
01:45:52.370 --> 01:45:53.510
A.

758
01:45:54.120 --> 01:45:56.219
but that

759
01:45:56.840 --> 01:46:02.389
there are travelers from Latin America coming.

760
01:46:02.440 --> 01:46:12.190
but the the most the biggest one is the Middle Eastern African Street. As musicians.

761
01:46:12.730 --> 01:46:18.819
I don't know other arts, but I can see music. depending on

762
01:46:19.010 --> 01:46:24.010
I they're the political situations. They are

763
01:46:24.090 --> 01:46:28.219
kept our kick out of streets. That's what I can say.

764
01:46:29.060 --> 01:46:30.380
Okay.

765
01:46:31.980 --> 01:46:55.740
So just now to do an announcement for the Rc. some of you already know, we will have our business meeting, which is not as officially in the program, so it will not. It will not be on Saturday morning, but it will be on Friday after the last session. So everybody was interested. Please join. Okay.

766
01:46:55.800 --> 01:47:03.249
yes, including remote. Of course, this is why I'm also talking to for Carrier Nana in this case.

767
01:47:03.370 --> 01:47:08.930
Okay, then, thank you for your presentations. We see at the next.

768
01:47:09.080 --> 01:47:14.000
at the next meeting. Okay, bye, bye.