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I look forward to hear you, but maybe I should shall start introducing a welcome.

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Okay, the the other one are they? Can they hear me? Okay?

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Yeah, then, I'm going to present Marissol Fakusa from University of Chila.

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But you must send your paper yourself, because I don't speak Spanish, so I cannot.

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Yeah. Okay, give the floor to you.

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This is your!

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Okay. Thank you.

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Good morning, my friends. Thank you for your participation today. I'm very glad to share my work with you.

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I prepared this work with, rice, Cavalcanti, and this table my colleague, my Brazilian Chilean colleague.

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We work about a project, a lab, museums in Chile, about the public museums in Chile it from the institutional transformations in the museums, in the different museum National Museums.

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Regional museums. So.

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And today I walk about the one event a very important. The A round table is a meeting from Unesco and Ecom in the Unity popular period in the government.

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In this presentation II found to understand the theoreticals and the Utopian horizons behind this modern, very important for the museums in the world.

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With a comparation with the contemporary discussion.

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So the contemporary discussion. So the the room table in Santiago in in 72, proposed a new historical and cultural outlook for the museums.

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Unfortunately, in one, a year after the Cuppetta in my country, so this year is the and you were sorry for this very sad episode in my country.

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So a lot a discussion about the a Utopian origin, the ideas, the circulation, the ideas in Latin America between Europe, etc.

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About the cultural institution and irretta it was an art institution.

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So a new historical and cultural outlook from museums their roundtable on development, and the role of museums in the contemporary world is very ambitious program inesco and Ecom International Council of museum proposed an activity of significant relevance

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and projection for discussion of the social role of museum to date, descended of the New Musicology.

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Paradigm. It is not for all the people, but a new museology.

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Paradigm is a frank theory. The the 60 years I developed that the importance of Latin America, the place where Itopian place very Utopian place experiments, social experimentation, place.

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Cuban Revolution. Chevara. A popular education in Brazil from former Florida, a stage for the right thinking of museums and the relationship with with society.

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The Centre around table. Utopian origin of the period.

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Latin Americanism and developmentalism is the period, the sepal.

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Big structures and net network in Latin America and in the war, about development in the poor countries.

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The inauguration of the Ounkh. That tree building is a very big, is a very big building.

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After the dictatorship take this place and install the hunter is the various historic history, very strong in the this place.

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Was a race, created as a venue of the United Nations Conference in commerce and development in the Third World, as a space for the circulation of ideas, models of democratization and economic development.

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The unit of participative methodologies, a Research Act, John.

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Sentimental method in the Australian cense and community action Orlando Falls. War.

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The Paul of Friday, inspired by popular education, the creation of organism to promote regional development and integration, such as the Economic Commission for Latin America, the notion of development and under development central periphery from and so fareto the Chilean sociologists very important intellectual

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Chilean and Brazilian sociologist is the model central periphery.

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For to to think their development at the geopolitical the geopolitical, about the development.

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Utopian or is on market by developmentalist. The third is model for the progress idea.

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The this work or the periphery, the Latin American countries, the African country.

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Interested in the development model and progress. The creation of organisation to promote regional development and integration, such as the Economic Commission from Latin America.

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That is the document from the the romance. Well, great, the most Knee. We can see.

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The name is anthropologists very important for the museums and heritage in Chile, in the Sarodia.

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They did the discussion about that. Is there a solution? I read very quickly, Los Gambio sociologists.

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Economics is equal to the list cases tempo. So the resolution was very important for the continuity of the new museologists in the Unesco.

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Is very anticipatory ideas for the discussion. Corn about the new physiologist, so so socioeconomic context, a result of the event, the declaration of Santiago was made of institutional policies for museums such as the concept of the museo integral or

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integral museum, interim musical as museum.

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As an action, an instrument at the service of society, and involved in the solution of its problems.

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Its very political definition. With the approach of a community development, a political vision of the museum based on the communities development approach creation of the bore of the Latin American Museum with the Logical Association Alam, so social effect and projections of it Mr.

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Alonda this cushion emphasized the importance of museums for the promotion of democracy and social transformation.

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Is very, very progressive. The relationship of museum with rural, but that is very, very important, because Latin America in be a big proportion is rural so the the integral Museum proposed a relationship of meeting with rural and Irva media and of with scientific and technological development with

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education. So this event continues to generate repercussion around the war and core reflection of the social meaning and funds, functions of Muslims.

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For 40 years after the big meeting about Masredo, organizing in Chile in different parts of the war.

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For 2022, the same action and commemoration. About 50 years after the Santiago Round Table.

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A. So all the discussion.

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In the current discussion about the museums in the Ecom. Contemporary music.

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A crucial moment, there are a definition of their identity, social functions, and meaning of the action, Econefined mission.

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Ions and meaning of the action ecommerce created a commission defined for a commission defined to accord a new definition about museum, theoretical field.

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The new paradigms in culture and social science are increasingly important in this transformation.

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Cultural terms, a perspective of process through thealism, postmodernism, and cultural studies as well.

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At the Colonialist Studies Feminism, Intersectionality and affective term contributing to the process of self-reflection in the Muslims.

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New museology was a disciplinary movement in the field of museum that proposed the reform consolidating the change taking place.

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Science in the sixties are royal design to debate on museum and social sociopolitical functions.

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This theoretical debate feed new concepts, such as the reimaginated Museum, the Participative Museum from the Minor Simon, the Community Museum.

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The activists museum, the situated museum, the Contemporary Museum approached the various forms of inequality and social or structural exclusionions, such as rashes the patriarchy, colonialists, and memories of civil termite social groups 50 years after thinking of

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museums in the context of transformation and crisis.

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The fifty-year commemoration. Today. Resurgent authoritarism crisis in current democracy calls into question the models of the welfare state depending in equality and social political crisis.

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The painting of the environmental crisis which are their precautions of the same idea of development which feel that many of the debates of the years in the sixties the expansion of the new liber are rational as a model of organisation for common living intensification of work and extraction

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of natural resource and the verticalization of cultural practices, where all challenges for the Santiago Round Table could bond Hub Forison.

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Nonetheless, visionary and valid alignment to the current reality of the integral Museum were made in order that I think the relationship between museums, culture, and society rurality, the perspective of equality in integration and political autonomy of the Latin America contemporary

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dilemmas, matters of agents, economic and ecological sustainable, of museum is in Latin America, social relevance of the Museum in the 21 centurinian assignment Participative Museum transformation of cultural practices, virtualization participation communities, and

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territories, adaptation to political, social, migratory climate and health crisis.

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So innovation, technology, technology can demand one direction. Will this transformation take what practices will guide this institutional process of reinvention? How will these museums involve participants from the community in this process of change?

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And uni finished fate, the the weight of the Santiago Round Table include questions that continue to be asked of museum.

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The museum is called Yupawn, not just to be a democratic space, but what you wish to involve the process of transformation in face of a crisis, climatic, political, economic, and the struggle for social justice.

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There is a need to rethink in his role and relevance for the societies and communities in the coming Decat reminisce the identity and museums as sounding boards, colonization, fertilization of the new edfs, reflexive filth from the

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democraty space, they become vectors for social change. In contrast to what was proposed, in Mesarellonda, no longer under the development paradigm for Latin America, society.

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But do monitor the rise of new forms of interdependence, relation to nature and other humans and non-humans, museums are called Hubbont, to participate actively in the future, depending notion of system sustainability and community from their perspectives such as that of the Indian concept

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of harmonious living. You remember in the opening A from President of Isa he talked about whenby-vir is a concept, a Andino concept. Indian concept.

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We translate harmonious living, but the concept is one Bv.

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Of Vena.

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What is one Bvid of When a villa or harmonious living, harmonious leading is not an alternative of development, but an alternative to idea of development.

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The Western way of thinking, especially in the face of capitalists.

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Organizes society around 3 basic ideas. Exploitation, accumulation, and separation in the American way of thinking would living is the way of living on the planet at home.

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The Capoda. Good Living at home in Guernami, or Sumac Cows.

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Say literally good living in Quechua is also based on 3 idiots, albeit very different one to so-called 3 harmonies of harmonious living are harmony of the individual with themselves.

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Harmony of the individual with the community. And harmony of the community.

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With the other banks, that inhabit the planet Acleaturino is, I much of Gracia.

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Thank you for your reasoning, my friends.

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That is a musel Delete. Actually, I was going to tell you.

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5 min left. I thought I were giving you 20 min because we were alone on the second 15 min so it could give you one over.

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But you were very nice, very good. So you have any questions what it is. Uproar.

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Oh, yeah.

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Okay.

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Thank you for this presentation, which is very interesting. I would say more than then.

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A question is basically, well, yes, can be a comment which is also a question.

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So I was also slightly, briefly working on museums.

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And for example, also yesterday, more as an institution, let's say, and then probably yesterday I was also shortly saying this U-turn social turn of institutions, and is probably what you're also talking about.

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I didn't know all the history behind it that that in your country was already on the way by the seventies.

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But basically, this is one, a kind of I would like to ask you, because, as far as I could see, it's also a need of the institution to recover again a link or a contact or contact with social life.

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So. Do you think that this issue of the let's say of a new way of museums is also connected in order to reconnect with people, so that also people close to the museum?

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So the different role of museums is, how is it connected with the change of society?

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Let's say in your light, and then I will. I will send you something I wrote about it.

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I would like if you tell me something, then in the next future, because I was reflecting on this as well.

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Thank you.

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So is a way possible for the museums. It's important to to to take about, because not all the museums are agree with this direction.

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It's one direction important in the height level in the Ecom Chile Ecom world, economic, different countries.

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But they are the other position about the danger. The museum, less the identity about the collections, about the preservation, about the exhibition.

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So then, is a discussion in this moment about the definition so there's a discussion in this moment about the definition, this debate about their definition from the museum's take 6 years, because the country are not completely for this direction is a conflict.

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In the institutions. It's very interesting for this reason is that what is a possibility very progressive?

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But know all the countries are because they, the colonialism is a factor.

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Very important evolution. The object is completely. It's a revolution in the structure, in the institution, in the idea, a basic idea from this modern institution.

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So it's not completely. It's not consensual.

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It's very conflictive in this moment, and some countries, then Australia and dynamic Scandinavian, Scandinavian countries, United States are very progressive, but the other, the other countries are very and not convvenues, because for there is so politics.

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So ideological for feminists, for the colonial. So it's a conflict.

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Is not a reality. It's very complex, is conflictive reality.

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For the institution. Okay.

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A. I also have a comment, because I see you mentioned Nordic countries, and I see it has really changed the museums.

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How they relate to the audience and the opposite way, because people are more interested in going to museums and museums more active activities in the audience and the and people actually engage a lot because something happened just a couple of months ago because we have got a new Samo art art

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museum, and so of the old classical paintings were not hang on the walls, and people reacted.

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Were are this Christian crook? It's a very famous painter from the 18 hundreds, and he painted a very big big painting.

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Wall, sized named Life. Ericsson discovers America because we had, you know, one of these wild kings that are supposed to to discover America before Columbus, and then one of the employees at the Mercedes said, oh, we didn't hang it off because it was colonialistic.

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Norway never had, so it was a big, very big engagement among people and debates in the papers.

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People were very angry because they had kind of shift away a national treasure, because this painting was kind of national treasure.

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So they actually had to take it. Completely. They had to take it off again and put it up on the wall at the director of the Museum.

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Kind of what you call.

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The branch, looking to stop the fire. It became a fire in a way.

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In the medias, and they tried to kind of you know what I mean.

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Only some couple of days after it was hung off again, because people got really angry because they were moved by this national treasure.

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So, yeah, yeah, yeah, very. But it's interesting. How? Actually, people, ordinary people engage in what happens in the museums.

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That wasn't a case. Many years ago. It wasn't the case at all, so it has been a very big change.

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So thank you.

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Thank you very much for this very inspiring presentation. It was very rich and content.

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And your comments made me think that museums are also public spaces.

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People can act well. 2 questions relating to the presentation this 1,972 is a quite peculiar year in this sustainable development there was a meeting in Sweden.

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I'm wondering if this museum meeting must parallel to those developments.

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Towards sustainable development. Just curious. I'm asking this out of curiosity.

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The second question is about this harmonious living. Did the idea?

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It's like in in peace studies is.

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He's in the in Mansouth and Peace. The step-by-step goes to living in harmony with the world.

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I became curious about the origin of this harmonious living in in Chile.

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Effectively the in the debate about the museums, the question about the sustainability are very important.

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In the contents for the projection of the museums in the idea, the fertilization of polarization, dissemination of ideas, ideas about the future, sustainable future in America, Latin.

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This idea, have contribution, important to the indigenous people is the idea that won Beir, the harmonious.

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Leaving in the they'll harmony with the other banks, with the, with the plant, with the the past 2, the ante pasados, the the barrier generations, because it's the other conception of the of their life.

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The nature is very important. The other Cosmo vision. So it's not the progress idea, the extractivism idea, the relationship with a natural particular about the natural about the natural like commodity for the indigenous people.

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The nature is a least. So they they talk about the rights of nature, right of nature, for example, for the weather is very important for the trees, etc.

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So is in this moment this ideas about the natural, about the level of the bodies.

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The scientific. Take the this idea for thinking. The idea of development in the museums, we came to community museums or museum, integral or ecomo sails are very important in Latin America, because we don't a lot of resource for the matter of sustainability from

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the museum. So the people created the museums in the bus, for example, the museum is a bus, the museum's in the street, the little necro museums.

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With very few of the resorts, and sometimes one people. He's responsible for all the museums.

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The people feel a lot. The effect for the museums, for some museums there is museums or the big museums, so the other particularity in Latin America.

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Our countries are very young. So if in the moment they born their republics, the new, the big museum, are created, so the for the national narratives.

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A very, very important in this moment. All the discussion about the participation, the indigenous people in the national narratives and in the Museum, because the indigenous people are perceived there, are introducing in the Museum of nature now in the Museum of history and is the

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moment very important for to change, because the indigenous people don't live in the past, the Sindberi Vera Cuzigan is a Romanian sociologist, fantastic, social, social visual sociologists.

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She talked about that the indigenous is contemporary.

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The Indian is, is modern. His high ride is the indigenous.

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They are epistemology, indigenous epistemology in the Hebrews.

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The latter the heels, for example, the for the integration.

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She talked about this tissues there's a narrative, epistemology, memory, history, so the indigenous people make part in the history from narrative.

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The nation, etc. So the museums are important for us.

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It's possible differently than than Europe because it's a component in national national.

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He ought to, so thank you.

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We have also notice the same, a lot of these indigenous people, and taking care of them.

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It's very positive. I think it's very okay.

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The same is happening in Norway, you know you have this army in the nation.

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Sam, yeah. And they also got a big space in the museums.

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Now I had heard that before also. But no, there are like you say there are existing that now there are contemporary people.

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It's not something in the past, because, for example, until the 19 seventies, around 19 seventies, actually, the repressed never kind of proved in the past.

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To know that it could take forward again. Yes, so they have gotten on kind of government as a part of the Norwegian State.

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So very interesting. It looks at that happened.

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Most countries nowadays. But it's very archaic.

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So those culture.

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Equally to. But th, yeah, okay, an historic. Yeah, I think can it be that it's now developing in another way?

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Because of the new technologies.

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Can it be that this new let's say, trend that basically led also these minorities?

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Let's say, come up, or be more visible. Can this be because of new technologies?

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Because before the way we were looking at the history was also more, you know, chronological, and in this time now we have to technologies.

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And then they can basically be more visible through technologies as well.

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And then they jump into the contemporary life. I would say differently than before.

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Artistic, practical to, for example, in Chile they are seen musical scene about hip, hop, Mapuche, indigenous hip, hop, or the intellectual scene.

178
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The indigenous people. Then made that studies in university, in the nineties.

179
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So the historians, the writer, the new scene, intellectual scene in the contemporary of art.

180
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So it's very interesting that the new leaves new lives.

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Thinking, artistic forms.

182
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Okay.